Posts Tagged ‘emotional music’

INSOMNIUM: THE METAL ARMY INTERVIEW

Wednesday, October 26th, 2011

Metal Army America caught up with front man Niilo Sevänen of Finland’s melodic death metal powerhouse INSOMNIUM on the release of their new album One for Sorrow. Niilo gave a candid interview where he discussed the writing process for the new record, influences, the importance of lyrics and metal culture around the world among other topics.

payday loans lenders online

 

MAA: One for Sorrow is definitely the bands best record. Tell us how you developed this record.

NS: Last autumn when we finished our tour with DARK TRANQUILITY, we decided that we were going to do no more touring. We did most of the work between recorded between January and March. We worked pretty fast. At one point we were worried because of the short time period, but it all worked out very well. All in all for us it was really short, sometimes one or even two years to write and record, but this time we took a very short amount of time.

 

INSOMNIUM in 2011: Ready for a breakout year!

 

MAA: Across the Dark was also excellent. What did you do on the new record to separate it from the last one and move forward?

NS: The music came very naturally. We only tried to add more clean vocals than Across the Dark without changing our style. We now have a better idea of how to use them and incorporate them. That was one thing. Apart from that I don’t know that we have moved away too much from our style. We were faster writing the songs, but it the outcome was still very good. That was the only major change.

 

MAA: Who would you say are the bands biggest musical influences?

NS: Those bands from the mid to the end of the nineties are the ones when we started this band were making great melodic death metal albums at that time. Definitely IN FLAMES, DARK TRANQUILITY, AT THE GATES, OPETH, AMORPHIS, SENTENCED from Finland and DISSECTION. Those are the main reasons why INSOMNIUM sounds they way we do now. But of course there our hundreds of other bands that influences us and we enjoy as well like KATATONIA and SWALLOW THE SUN who we have been touring with. They have brought some sound to our music I would say. The two latest albums we have been going in that direction also.

 

 

MAA: Your lyrics always have quite a poetic nature to them. Why are lyrics so important to you?

NS: Thank you. I don’t want to complain about other bands, but many bands neglect the lyrics or they write stupid lyrics. It helps that we always put a lot effort in to the lyrics. It is my feeling that lyrics should always work as poems without the music. Personally I read a lot of poetry, especially when I am trying to find inspiration for new lyrics. Poetry and literature in general has been really influential to me or things from movies or basically anything else interesting in life. I also try to read a lot of English poetry to try to improve little things and read the great poetry in English, even though it is difficult.

 

MAA: Do you feel there is one song on the new album that really defines where the band is right now musically?

NS: It is really hard to pick one song that cover all of the styles which the album has to offer. There are instrumental tracks and then the really heavy ones so I don’t know about just one. Personally it was a good idea to put the “Unsung” song out first. It pretty well describes what INSOMNIUM is all about. It has a fast and hard part and also a little bit of the clean vocals. I think that was a good idea to put that song out first. It was a great first choice.

 

MAA: The band has had some commercial success in you homeland. Why is metal so strong and popular in Finland compared with the rest of the world?

NS: That’s a tough question. One which we have to answer in almost every interview. There is no easy answer. Our country is not the same as every European country. Germany and Sweden are maybe close, but not to the same extent as Finland. I don’t know if its because the first Finnish bands made it in Europe and those bands played metal music. And because of that we now have a lot of metal bands. Of course that means a larger audience. Those fans from the 1990s are now in their thirties and forties. Young people are also learning about metal all of the time. The community is growing all of the time. Maybe when you are from the States it is not appropriate any more to go to shows and headbang and have fun once you turn say 30. For example Bloodstock Open Air festival you will see entire families there having a good time together.

 

 

MAA: What is on tap for touring and when will we see you in the United States again?

NS: We have a European tour coming up and it is mostly in Finland and bit in Germany since we have a German label. And that makes our position even stronger in Europe. Next year I think we will tour some more, maybe another short Europe tour, maybe only nine shows. That way we can hit some of the countries we haven’t been able to hit this year. Then the USA and Canada. We have been actually making plans for almost a year now, since our last tour was canceled and we lost the opportunity to come there. We want top come there, we just need to find the right package and right tour. In the USA we are not yet big enough for a headline tour at this point in our career. So we may need to find the right tour and headliner to come over with. We definitely want to come there since touring the USA and Canada was one of the most amazing experiences ever. It is more expensive and more difficult than touring Europe, but it is something we need to do.

 

MAA: Thanks Niilo, we’ll see you on the road soon!

NS: Thanks for the interview!

 

(Special thanks to niilo, INSOMNIUM and Century Media Records)

 

By Keith (Keefy) Chachkes

Bookmark and Share

ALBUM REVIEW: INSOMNIUM

Monday, October 24th, 2011

One For Sorrow (Century Media)

 

 

Time and time again Finland shows itself to be one of the most metal countries in the entire world. Not only does metal still have a place in the consciousness of the country but the bands that come from there have a certain character to them that is unmistakable and true. This is the case of INSOMNIUM who for the better part of a decade has been churning out quality melodic death metal masterpieces with ever growing acclaim. With their new album One For Sorrow they are poised to make a bigger dent on American shores than ever before. I for one am happy to see these industrious craftsmen of great metal songs make greater gains in popularity here. They certainly have worked hard enough and deserve credit for staying the same and never bowing to trends.

The opening track builds from a sparse few notes to a sweeping epic prelude of things to come. The next track “Through the Shadows”. The cut is a grand piece of melodic death metal in the tradition of DARK TRANQUILITY and earlier SOILWORK. A great driving beat and slicing riffs punctuate the track led by front man/bassist Niilo Sevänen. The emotive sweeping chorus is rock solid and there is also some great guitar playing here too. Next up is “Song of the Blackest Bird”. Sevänen’s growling vocals are excellent and are complimented by the copious heaping of melodies in the guitar lines. The band manages the perfect mix of brutality and sweetness in the music in a way that sounds fresh and urgent too. Guitarists Ville Friman (ARRIVAL) and Ville Vänni are great at crafting compelling motifs that don’t sacrifice the heaviness the band is known for. All of the songs also have a stirring sense of the dramatic. “Only one Who Waits” is a true thrashing crusher of a cut. All at once calling to mind THE HAUNTED and IN FLAMES it is one of the best songs on the album. Sevänen unleashes a Jonah Hegg-like howl of anguish and you really feel his soul burn during the chorus. After an IRON MAIDEN influenced middle section where things mellow out slightly the track roars again with an excellent solo. “Unsung” is another song that swings back and forth between uptempo dramatics and lighter sounds. The wall of sound created by the riffs and blasting drums from Marcus Hirvonen are also impressive. The song has some additional keyboard parts too that elevate the quality of the track some more. Another top track is “Every Hour Wounds”. This song has a weight to it emotionally that you just don’t hear often in these bland times. Again the band can be harsh and still catch your ear and the ability to do this consistently song after song needs to be recognized. “Decoherence” is an instrumental track that starts off with gentle picked guitars a bit of drumming comes in toward the end to finish it off. “Lay The Ghost To Rest” almost has the feeling of classic power metal with its grandiose themes and style. The epic track goes through several changes, each more explosive than the last. “Regain the Fire” also has a big scope and feel to it. The verse has some of the most heavy riffs and screaming on the album and soulful singing/screaming vocals in the refrain. The song would be killer to hear live. Closing with the title track, the band synthesizes all of the previous ideas and unifies them in the form of this excellent song. Taking on the form of near movie-soundtrack quality power and delivery, the song is slow and meaningful with more fine vocals added for maximum punch. Take note of this album melo-death fans, it is some of the best writing or playing you will hear on any album this year.

INSOMNIUM: for connoisseurs of brilliant melodic death metal.

GRADE: A

by Keith (Keefy) Chachkes

 

Bookmark and Share

Get Adobe Flash player