Posts Tagged ‘Frank Zappa’

SONATA ARCTICA: THE METAL ARMY INTERVIEW

Monday, May 28th, 2012

Finnish prog metal masters SONATA ARCTICA has a new album out called Stones Grow Her Name. Henrik “Hennka” Klingenberg checked in with Metal Army about the new album, their twenty plus year career, their new music video and other influences.

 

 

MAA: What is the concept behind Stones Grow Her Name?

HK: There’s really not any big picture-type of concept, but we went in with the notion and general idea that we would make a simpler, more accessible and rocking album suitable for the stage. We also decided to drop most of the symphonic elements that were pretty dominant on the last album.

 

MAA: The band is almost twenty years old now. Do you feel any pressure to keep topping your previous efforts?

HK: Not really, I think the main thing is that as long as you feel like you’re working on your best album every time you hit the studio, then at least you’re on the right path. Naturally we do make an effort to top ourselves every time and become a better band, but I think that if you force it too much, then it might backfire so we’ll just keep on working our asses off and hope for the best.

 

 

MAA: Beyond the obvious, what is the song “Shitload of Money” really about?

HK: It’s really more of a warning. You should not sell things that you can’t buy back, like your privacy or honesty or stuff like that. The song wants to make you think about the true value of things, in my opinion.

 

MAA: Please discuss the inspiration behind the “I Have A Right” video?

HK: Originally, we saw this thing on YouTube where a girl was telling a story by drawing in the sand and we thought that would be a great way to do a music video but since we didn’t have access (= money) to do that, we went with another artist and instead of sand painting, it was done as regular painting-style storytelling (if such a thing exists). Naturally, the story pretty much follows the lyrics and emphasizes the story in the song.

 

MAA: Much more than Power Metal, I hear lots of Progressive Rock influences in the band. Any favorites?

HK: I think I’m the most prog-dude in the band. RUSH is one of my all-time, most important bands and of course I’ve listened to a lot of KING CRIMSON, YES, even FRANK ZAPPA, some of the earlier GENESIS, and what have you.

 

MAA: Does the artwork on the cover of the album tie into the story as well?

HK: It ties a little bit into the story of the two “Wildfire” songs I think, where the main point is that we should be concerned about how we treat our planet or Mother Nature will have her revenge and humanity will come to an end. Come to think of it, the world wouldn’t necessarily be such a bad place without all the shit we people do, so our planet might well be better off without us. I’m not volunteering to leave, though.

 

MAA: Any chance the band will ever record another covers EP?

HK: Of course there’s always a chance, but personally I prefer to do originals. I know some of the guys like to do covers more than others, but we’ll see. We always do one or two cover songs when we record an album, so eventually there will be enough to put together a covers EP.


Henrik "Hennka" Klingenberg.

 

MAA: Is there an instrument or a type of voice the band would like to try to incorporate into the music that you haven’t had a chance to yet?

HK: Yeah, I think there are a lot of stuff we haven’t tried yet, but I don’t want to give anything away so you’ll have to wait until the next album to see what we come up with. Personally speaking, as long as it sounds good, we will use it no matter if it’s a pig squealing or a grand piano being thrown down the stairs.

 

MAA: What kind of touring schedule does the band have planned for supporting the release?

HK: We’re doing festivals in Europe during the summer and then club shows in Finland and the rest of Europe during this fall. In 2013, we’ll hit North & South America, Japan, and what have you. It will be a long world tour once again. I’m really looking forward to it and luckily the shows will start really soon!!! Cheers!!!

(Special Thanks to Hennka, SONATA ARCTICA and Nuclear Blast).

by Keith (Keefy) Chachkes

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BOOK REVIEW: TONY IOMMI

Wednesday, November 2nd, 2011

Iron Man by Tony Iommi with T.J. Lammers (Da Capo Press)

 

Few other names in all of metal have the same importance as the name IOMMI. As the architect and soul of the sounds of BLACK SABBATH Tony Iommi practically invented the sound of metal music. This fact isn’t really up for debate. Iommi has seen it all, done it all and managed to still be standing tall after more than forty years in a career that is the stuff of legend. The toll of the journey and the mostly positive outcome is reflected in the books title Iron Man: My Journey Through HEAVEN AND HELL with BLACK SABBATH. As the book recounts, often in deep detail the back story of some of the most crucial times in not just metal history, but music history too.

Told in the laid-back manner you would expect, Iommi recounts the history of his early life in Birmingham UK, the formation of BLACK SABBATH and other tales. In spite of his (and everybody’s) copious drug use he has some surprising recall about events that have happened. Some of the stories are famous and well known and others not so much. Iommi does not look at the world through his purple-lensed glasses or another other color for that matter. He often paints himself in an unflattering light when he feels he deserves it and reflects back in time with brutal honesty. The 1970′s are definitely recalled as more wild than you have ever heard or dreamed. Perhaps like no one has yet to do in a book, Iommi recounts the entire history of BLACK SABBATH: all of the ups, the down and the in-betweens. He takes you to the low points of OZZY leaving SABBATH, coming back and what led to his eventual firing. Then he goes into great depth and insight about RONNIE JAMES DIO and his importance of reinvigorating the band and the brand. I learned things about DIO I never knew, which was great. All in all IOMMI recounts his friendships through stories involving LED ZEPPELIN, EMERSON LAKE AND PALMER, DEEP PURPLE, RICK WAKEMAN of YES, EDDIE VAN HALEN (whom is still a personal friend of his) JUDAS PRIEST, FRANK ZAPPA, GLENN HUGHES and many other classic bands. Covering the more recent years he discusses his IOMMI record, charity work and all of the current rank and file of metal stars who have befriended him and he appreciates them as well. Besides revealing his feelings about things like OZZFEST and the 1990′s SABBATH reunions with Ozzy he goes especially deep about the reformation of the DIO lineup, HEAVEN AND HELL; the highs of making new music and tours and the eventual illness and death of DIO which was heart breaking. He also talks about other fallen friends of his like COZY POWELL, DIMEBAG DARRELL and PETER STEELE as well.

Perhaps most surprising is IOMMI’s frankness when discussing his personal life. Ever the epitome of the buttoned up, classy and restrained British gentleman, he is not shy about talking about very intimate events of his life. He discussed his excessive drug use (although he claims he always felt responsible not to do more than the other in SABBATH), his workaholic nature that cost him his early marriages and his relationships with his children. Great detail was given about the extent of his recent hand injury that could have ended his career. He calls his current wife Maria (formerly Sjöholm, of DRAIN S.T.H.), the love of his life. It’s good to see Tony in a happy place in life as he looks back and he considers the future, including the possibility of anther BLACK SABBATH reunion to be wide open. A must have for fans and a great read for others interested in the history of rock and metal.

 

GRADE: A

by Keith (Keefy) Chachkes

 

 

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MACABRE

Tuesday, January 18th, 2011

Grim Scary Tales (Willowtip Records)

The masters of mass-murder metal are back! They have brought with them the first metal masterpiece of the new year. Twenty-five years into their existence and seven since their last full length (Murder Metal) the sickest minds to ever come out of Chicago have returned with more tales of gore, serial killers and abject mayhem. Few bands can match their talent for brutality, hilarious lyrics and almost child-like wonder as they curate some of the worst moments in human history. Although their music is always delivered tongue firmly in cheek, make no mistake about MACABRE’s ill intentions. They have spent their career detailing the most heinous crimes ever all with a sometimes overlooked great lyrical depth and musicality. Grim Scary Tales, a concept album (although arguably every MACABRE album is a concept album) about the history, context and nature of murder throughout the ages.

Blending elements of death metal, thrash, nursery rhymes, country rock, circus music, chamber music, a weird old town crier and even some world music themes MACABRE takes the listener on a twisted sonic journey on every track. Opening with the thrashy “Locusta” the band is heard in top form with each member of the band shining. Ferocious beats, acrobatic guitars and amazing bass solos highlights the track topped of by the co-lead singing/screaming of Corporate Death (guitars) and Nefarious (bass). The two of them trade off vocal parts on every song, occasionally joining up in unison. Second track “Nero’s Inferno” which sounds like an Italian operetta is a lighthearted romp despite of the gruesome take on the old Nero playing a fiddle while Rome burned. Third track “The Black Knight” brings back the deathly viciousness of their early albums on the verses while chorus has an almost cartoon theme song feel. The middle eight of the song has a middle era BLACK SABBATH groove to it, complete with a tube-soaked guitar solo. This flexibility is really what makes the band great. The constant shifting of themes and styles has more in common with FRANK ZAPPA and progressive rock than death metal, but this band always follows its muse. “Dracula” also begins with a familiar classical theme before devolving into an old-school MACABRE sounding death march. Hellish screams, blastbeats and even some creepy keyboards fill the listener with headbanging and dread. Easily my favorite song on the album. “The Big Bad Wolf” follows next and is another out and out face peeler. This would be the perfect mid-show mosh song with its brooding middle part. Dennis The Menace’s drumming has always been strong and it is especially tight on the heavier tracks found here. MACABRE is not the first band to write a song about the famous “Countess Bathory”, but none have been as clever as they are. The entire album is a top-notch affair from start to finish, with other standout cuts including “Burke and Hare”, “Lizzie Borden”, “Bella The Butcher” and the particularly sick and evil “Kiss of Death”. The final track “The Sweet Tender Meat Vendor” is a testament to both cannibalism and death, thrash and roll. Awesome!

GRADE: A

Keith Chachkes

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LIVE REVIEW: PRIMUS

Thursday, August 5th, 2010

Brooklyn Waterfront, Williamsburg NY

So it was back to to the Brooklyn Waterfront for me and my friends, this time to see the mighty PRIMUS kick it live. Whenever I think of them I remember when I got into the band early in my college years. When I heard their mash-up of funk, rock, comedy and pop I immediately aligned them with the gods of progressive rock like KING CRIMSON or the amazingly twisted humor of jazz rockers FRANK ZAPPA. Representative of this mixture the crowd for the show was weird with all of the wanna be neo-hippies, “I’m cooler than you” hipsters and a gaggle of metalheads. This current tour is celebrating work spanning their entire history, a treat for longtime fans.

A simple stage was arranged to look like a NASA launchpad complete with two giant inflatable astronauts. The glass in the helmets projected all manner of bizarre videos and images. As the band walked out there was just some intro music and no other fanfare. Les Claypool appeared in his familiar top hat and goggles and opened the festivities with “Pudding Time”. As soon as they started I was reminded that PRIMUS is as much a band as they are a musical force; with all three members absolutely locked in tight. “Pudding Time” is a high energy affair that saw everybody in the place dancing around with glee. Next up was the ever quirky “Here Come the Bastards” which was a welcome surprise of the early night. Largely eschewing their radio friendly songs, they played selections geared toward their die-hard fans which was cool.

You can’t really talk about PRIMUS without first discussing the enormous musicianship of the band. Everything starts with Les Claypool’s bass playing which he really doesn’t play like a bass at all. More like a cross between percussionist, bassist and an avaunt-guard guitarist, Les’ chops have been influential to me and every other guy that picked up the instrument for the last two decades. My arm was killing me after the show from all of the air slap-bass I was doing! Guitarist Larry LaLonde injects his playing with a unique brand of spastic, fluid guitar lines and melodies that contain elements of metal, jazz fusion, funk, country, R&B and flat out weirdness. Les made light of Larry’s history as a founding member of death metal legends POSSESSED. He said Larry was literally possessed at the time and that death metal was “the next big thing” and that we should “Google that shit!”. Rounding out the reunion lineup is drummer Jay Lane (SAUSAGE, RAT DOG, COLNEL CLAYPOOL’S FLYING FROG BRIGADE, CHARLIE HUNTER TRIO, FURTHER). Lane was an original member of PRIMUS before their first album Suck on This came out. Favoring a style closer to Tim Alexander than Bryan “Brain” Mantia, he covered all of the bases of the demanding tracks and did a wonderful job overall. Lane is a great addition to the band.
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