Posts Tagged ‘Gamma Bomb’

ALBUM REVIEW: DIAMOND PLATE

Wednesday, August 31st, 2011

Generation Why? (Earache)

 

 

There has been a significant buzz building around neo-thrashers DIAMOND PLATE and their just dropped debut album. With a brash name and much talked about live performances in their native Illinois, they have been more than a blip on the metal radar for 2011. Even back to their previous releases they certainly had the chops to take this music somewhere. Since the field is now crowded with names like WARBRINGER, EVILE, LAZARUS AD, GAMMA BOMB, HOLY GRAIL, BONDED BY BLOOD, WHITE WIZZARD and of course MUNICIPLE WASTE, the competition to stand out and above the crowd is thick as can be. The key will be to separate themselves from their peers quickly as they embrace this higher profile, particularly on upcoming tours supporting KITTIE and WARBRINGER.

After the opening track sound bytes of news clips the title track peels the lid off and drops the monstrous riffs. Much like all of their peers dominating the sub-genre DIAMOND PLATE has been born and bred on old-school thrash bands like SLAYER, EXODUS, OVERKILL and ANTHRAX. What they do differently is inject a bit of mature modern sensibility that only the best of the newer bands have similar to the thrashier moments of REVOCATION or perhaps JUNGLE ROT. DIAMOND PLATE has also learned it’s not enough to just sound like your music could have been hatched in 1985, but discerning fans still want some well written songs to hang their SUICIDAL TENDENCIES hats on. Vocalist/bassist Jon Macak has an unmistakeable death metal howl that at least separates him from a legion of Paul Baloff clones. His voices calls to mind a young John Tardy of OBITUARY fame. Second track “Pull the Trigger” has plenty of the requisite Gary Holt/Dave Mustaine handy work in the guitars needed to keep things classic sounding. I especially like drummer Jim Nicodemus’ stick work in this track too since he is tight, powerful and not overly complicated. In addition to doing a strong job on the vocals Macak is a fabulous bassist and has no trouble leaving the guitarists to do their own thing and giving his lines a life of their own. The cleverly named “Tomb With A View” is a cruel little number. Starting out with a crushing riff a la PANTERA, the song builds and builds intensity and character. The mid-song melodic riffs are killer. Lead guitarist Konrad Kupiec (his name is so metal!) and rhythm guitarist Mario Cianci do a nice job of splitting up their parts. Kupiec in particular is a soulful shredder who has a sweet vibrato he uses to accentuate lead parts. “Fool’s Paradise” reminds me of middle-era OVERKILL. A mid-tempo jam with a mean power-groove riff and another cool delivery by Macak. Kupiec adds some more sinewy leads in the chorus that really add to the emotional gravity of the track. “Relativity” is the most throwback sounding cut on the album, even though it has some amazing chord/tempo changes. “Casualty of War” is one of the best songs on the entire album, encompassing everything the young group does well. Special mention goes again to Kupiec and Nicodemus for their technical prowess. “More Than Words” is not the love ballad from the 1980′s but a neat instrumental jam. “At the Mountains of Madness” is a real speed metal workout with sweeping riffs, galloping rhythms and some great gang vocals. On the epic closer “Empire Tomorrow”; the band literally lets it all hang out with a stunning show of musicianship few can pull off at their relative young age. Color me impressed by this debut and I look forward to catching them on the road soon.

With a logo this seriously baddass, it has to be thrash.

 

GRADE: A

Keith (Keefy) Chachkes

 

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LIVE REVIEW: SUICIDAL TENDENCIES/CRO-MAGS/D.R.I./UNDERDOG

Thursday, December 2nd, 2010

The Palladium, Worcester, MA

Expectations. We all have them in life. Living up or down to them creates divides in people and brings on a world of hurt to the hearts of many. What in the world does this have to do with a concert? Everything if you are a die-hard fan of a band and they let you down. I grew up on a lot of old-school punk and metal and S.T. is one of my favorite bands of all time, in any genre. They informed my art and my personal life in a way that is too deep to describe here in these (web) pages. My first band played “How Will I Laugh Tomorrow” as the encore to our first show ever. Needless to say when I saw them for the first time back in 1998 they were less than stellar and I was crushed. I was as let down as any show I have ever been to out of thousands. Maybe the crux of this was that it was the pre-interwebs days and I was expecting to see Rocky George shred his Pirates cap off and not hear a set list mostly of INFECTIOUS GROOVES songs (love the band, but they are not as great as ST). Plus they were on a ST greatest hits tour  at the time (Prime Cuts album). Nonetheless, after years of licking my wounds I wasn’t gonna pass up the opportunity to give them another try, especially when paired with two other titans of punk-metal crossover like THE CRO-MAGS AND D.R.I. As a result of this top notch bill which included six other bands the Palladium was about as packed as I had seen it since HANK III played here earlier in the fall.

UNDERDOG was the opener and and they were a lot of fun. They were a second or third wave NYHC punk band in the mid 80′s and I used to see them skating around the Lower East Side and Astor Place when I was growing up. If he wasn’t singing about skating, revolution or being a disenfranchised kid in Noo Yawk City singer Richie Birkenhead (YOUTH OF TODAY) wasn’t fully alive. Well known in the underground from their classic 1st demo and their record The Vanishing Point, they played a set of their best known songs. I was happy everybody was slamming and stage diving like in the old club days. With the quasi- original lineup of the band Richie on vox, Russ Iglay on bass, Dean Joseph back on drums and guitarist Mark they proved their material stands the test of time. The band is older, but still had the goods in performance, especially Richie. The best songs of their set were Russ Iglay on bass, Dean Joseph back on drums and guitarist Mark they p and of course “Underdog”. Great to these guys back at it!

Added to the list of bands I thought I’d never see again ever is DIRTY ROTTEN IMBECILES or D.R.I. In case you are in a rush. Arguably the originators of crossover punk and metal, D.R.I. Had the deep soul of punks coupled with the anger and speed of early thrash metal and it was beautiful. I wore out my copies of Crossover and Thrash Zone on cassette tape way back when, but I never thought I would ever get to be in the same room as these guys. They are an influence on the grit and attitude of metal that few others have had so make sure the next time you listen to records by MUNICIPLE WASTE, WARBRINGER, GAMMA BOMB or when you break out your PANTERA cd’s- you better thank these guys.

Any case after setting up their own gear and sound checking vocalist Kurt Brecht announced that they “in case you didn’t know we’re DRI and they were here to rock!”. And with that they started off the set  with “Snap” and the mania ensued. Everyone was slamming, crowd surfing and basically going apeshit! They reeled off a bunch of fast, killer songs in a row like “I’d Rather Be Sleeping”, “Problem Addict” and “Acid Rain” all in a row. Before playing “Thrashard” Kurt said something to the effect of I “bet you guys know all the words to this one” which was hilarious. D.R.I. were biting listeners in the ass with sarcasm before any of today’s post irony crap was fashionable.  Too smart and funny for words. “Who Am I” was played and is another great song. Many people claim to be fans of the band, but some of the crowd was noticeably quiet on some of the deeper album cuts. Spike Cassidy (guitars), Harold Oimoden (bass) and Rob Rampy (drums) just beat the crap out of their instruments and kicked ass on every song. I was especially happy and thankful to see Spike who has beaten his colon cancer scare of a few years ago. Harry was also awesome as a legend of the thrash/hardcore scene and he hung out in the crowd and slammed in the pit the rest of the night. Originally they were supposed to headline their own night at The Palladium, but got added to the ST date which makes sense since they have the same fan base. They played so many songs you might have thought they were the final act. Musical gems like “Beneath The Wheel”, “Wages of Sin”, “All For Nothing” and the highlight of their set “Violent Pacification” were great to hear live . It was over way too fast when they closed with “Five Year Plan”, but I was really happy they went out with such a bang.

Set List:

Snap

I’d Rather Be Sleeping

Problem Addict

Acid Rain

Thrashard

Who Am I

Slumlord

Dead in a Ditch

Suit and Tie Guy

Beneath The Wheel

Couch Slouch

Wages of Sin

Dry Heaves

All For Nothing

Violent Pacification

Five Year Plan

In my pantheon of hardcore bands that have greatly influenced metal THE CRO-MAGS are right behind THE MISFITS and S.T. and just ahead of THE BAD BRAINS. Without a seminal record like The Age of Quarrel you wouldn’t have aspects of Thrash, Punk, Deathmetal and Metalcore that you have today. In addition to being a force of nature live and helping to define the scene of New York Hardcore for what it’s worth every time you nod your head to a half-time feel part of a breakdown- that comes directly from the Cro-Mags and their influence of the early hip-hop acts in the 80’s.

Hitting the stage and starting with occasional closer “We Gotta Know” they just destroyed! WGK is certainly one of the best songs ever the floor went nuts with everybody moshing, leaping up to the stage and singing. The CRO-MAGS are one of those bands that most everybody knows all of the words when you go see them, and tonight was no exception. Rapid like machine gun fire the band churned out a quick succession of hits like “World Peace”, “Show No Mercy”, and “Malfunction”. Frontman John Joseph is still in ass-kicking shape from his vegan life-style and has never sounded better vocally either. He isn’t just up there for no reason- he feels every word his sings and makes you believe it too. His manic stage persona was/is the template for punk and metal frontmen. Since the current lineup has been together for a few years the band has been generous with its set lists tossing in nuggets like “Crush the Demoniac” and switching things up from tour to tour. Although we are unlikely to ever see a complete “classic” reunion line up; between drummer Mackie Jayson , guitarist AJ Novello (LEEWAY) and bassist Craig Setari (SICK OF IT ALL) they certainly have the set down cold. More great anthems like “Street Justice” and “Seekers of The Truth” came next and also went over big time with the adoring crowd. Then they thew us a curve ball when John announced they were gonna do a song by the most important punk band ever in his opinion, BAD BRAINS’ “Attitude”. It was a welcome surprise and the rendition, complete with reggae breakdown was top notch. Then another surprise came after a short jam of LEEWAY’s “Rise and Fall” the went right in to “Jim’s Last Goodbye”, yet another killer song. They finished their tight set with awesome versions of “Life of My Own” and “Hard Times”. John thanked all the bands, everybody for supporting the band and the tour and said their would be a new album from this line-up of the band in 2011 to look forward to. I got to talk to John after the show and as usual he was all class, humble and nice. A tribute to this legendary person in the scene, his home city and his legacy.

Set List:

We Gotta Know

World Peace

Show No Mercy

Malfunction

Crush The Demoniac

Street Justice

Seekers of the Truth

Attitude (Bad Brains Cover)

Rise and Fall/Jim’s Last Goodbye

Life of My own

Hard Times

I tried to catch my breath a little between bands. Again the venue was really packed in with very little room to move except for the pit during bands. As the ginormous banner in the style of a bandana was unveiled with the SUICIDAL crest and logos it was all most go time. I have to admit I had some butterflies as I hoped tonight would erase the bast memories of the show so long ago. Well no sooner had I thought that then the lights went down and the famous intro to “You Can’t Bring Me Down” came over the speakers. People were already moshing and crowd surfing before the band even hit the stage. Each member of ST came out to a cheer, not unlike a roll call at a baseball game. Of course the last one out was Cyco Mike Muir who announced “What the hell is going on around here?” as they peeled the roof of the building with the power of thrash! In typical fashion the band was explosive in their playing with Mike running all over the stage delivering his lines. The whole building seemed to shake as everyone screamed the chorus out. Dean Pleasants (INFECTIOUS GROOVES/GEORGE CLINTON/UGLY KID JOE) has a different lead guitar style than Rocky George, but nonetheless delivered an excellent take on the memorable solo. Following up the monster opener was the bands’ best known song in “Institutionalized” and the craziness got even bigger with an huge circle pit the entire floor wide. Those two songs are a given at any ST show, but after that I was sure that all bets were off. As Mike addressed the crowd in his usual poet/prophet/teacher mode he talked about the three bands on this tour going strong for almost 30 years. And with that Eric Moore kicked of the military drum intro of “Join The Army” and the pit was off and running again. Moore who is absolutely ridiculous and devastating on the kit is really the secret weapon of the band. His deft playing ability either create the pocket or push the tempos of the songs really make this the best the band has sounded in ages. He also had an amazing five minute drum solo later in the show that would have given Tommy Lee a run for his money shot.

In celebrating the bands’ lengthy history this tour they are also promoting their new record of some rerecorded classics. Much to my delight old-school jams like “The Prisoner”, “War Inside My Head” and “Subliminal” were played to perfection. As always ST mainstay Mike Clark (INFECTIOUS GROOVES/NO MERCY/CREEPER) also holds down the rhythms and riffs of most songs and allows Dean to freelance a little more guitar-wise. This kind of brings back a little of the middle-era vibe of the band back to the live show. They mixed the great funky punk/metal songs like “Suicidal Maniac” and “Come Alive” with the hardcore tunes like “Widespread Bloodshed” and recent remake “No Mercy”. Mike also talked about the early days of the Venice Beach scene and how ST was never about a gang, but about peaceful Dogtown skaters, and not trendy guys like Tony Hawk. Ouch! Just then Steve “Thundercat” Brunner played the killer slap-bass intro to “Possessed to Skate” and once again the energy in the building went nuclear. Brunner is brilliantly talented on the bass and more than ably fills the big shoes of Rob Trujillo (METALLICA/OZZY OSBOURNE/INFECITIOUS GROOVES/JERRY CANTRELL, BLACK LABEL SOCIETY). As a bassist myself I was enthralled the entire set by his grooving lines and showmanship.

Of course it always comes back down to Muir who goes full-tilt insane the entire gig. He spent a lot of time between songs pontification on all things Cyko and explaining the meanings of the songs which was cool. Bringing the night towards its conclusion saw the band cut through fine versions of “I Saw Your Mommy”, “I Want More” and “I Shot Reagan” that really took me back to being a kid again. The went off stage for a few minutes as the fans screamed “Suicidal” over and over. They returned and finished with their theme song “Pledge Your Allegiance”. The band invited everyone in the crowd to come on stage to mosh, headbang and sing the epic chorus chant. There must have been 100 or more people on stage with the band and you could barely see them behind a wall of fans. It was a pretty damn cool sight to see. While the die-hard fan in me was still yearning for a “Waking The Dead” or just more song off of Lights… Camera…. Revolution! or How Will I Laugh Tomorrow….. but I really can’t quibble too much. The band was amazing, the song selection was righteous and the fans were some of the best I’ve ever been around.

Set List:

You Can’t Bring Me Down

Institutionalized

Join the Army

The Prisoner

War Inside My Head

Subliminal

Suicidal Maniac

Come Alive

Widespread Bloodshed

No Mercy

Possessed to Skate

I Saw Mommy

Psycho Vision

I Want More

I Shot Reagan

Encore:

Pledge Your Allegiance

Reviewed by Keith Chachkes

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LIVE REVIEW:OVERKILL/FORBIDDEN/EVILE/GAMMA BOMB/BONDED BY BLOOD

Monday, November 22nd, 2010

Club Hell, Providence RI

I went back to the awesome Club Hell for the second time in a weekend to see the mighty OVERKILL and a plethora of modern and historic thrash bands. With the global thrash revival of sorts making the rounds and the hysteria of this past summer’s Big Four Tour in Europe it is some times easy to forget about the many other great bands out there in the scene. While EXODUS is still the most relevant band of that ear today, OVERKILL and the reunited FORBIDDEN deserve a lot of props as well. OVERKILL is on tour celebrating their 25th anniversary since Feel The Fire came out (I still have the cassette) and FORBIDDEN is back with an exceptional new record too. This promised to be an amazing night.

I walked into the club as New Wave of American Thrash Metal band BONDED BY BLOOD began playing their hot opening song “Mind Pollution”. The crowd was already half full before 7 PM and everyone in the place was rowdy and excited for BBB’s neo-thrash antics. New lead singer Mauro Gonzales is a great frontman in the making. Maybe he’s not the most vocally talented guy out there, but he has a butt-load of charisma. You could feel the crowd eating out of the palm of his hand the entire set. The rest band is solid and sometimes spectacular, but their love of thrash carries the day for them in terms of enthusiasm and performances. The best songs of their set besides the opener were “Another Disease”, “Exiled to Earth” and “Immortal Life”.

Gamma Bomb from Ireland were next and are easily one of the funnest bands I have seen all year. They play fast, heavy and all most all of their songs are hysterically funny. Since all of their songs are only 2-3 minutes long they played a lot of songs in a short span of time. They blasted through a set of straight up speed burners that included early favorites like “Zombie Blood Nightmare”, “Final Fight” and “Three Witches”. Lead singer Philly Byrne sent “We Respect You” out as a thank you to the fans who lapped it up. Lots of old fashioned circle pit action ensued during “Slam Anthem” and Thrashaholic” with the underrated drummer Paul Caffrey spitting out the furious beats. Byrne made another funny comment when he said tonight was about celebrating a decade of music many of the fans in the venue weren’t alive for. They wrapped up a solid set with their hit if they have one in “Zombi Brew”. Here’s hoping when the undead rise these guys can be the house band in the last watering hole open for non walkers.

Set List:

Zombie Blood Nightmare

Final Fight

Three Witches

Hammer Slammer

OCP

We Respect You

Slam Anthem

Thrashaholic

Bullet Belt

Zombi Brew

EVILE was up next and there was a visible and audible presence of their fans in the room before and during their set. They have toured tirelessly on their recent album Infected Nations and are really one of the more accomplished and polished of their brethren. Opening up with the “Infected Nation” they set the tone for their set of METALLICA/MEGADETH/KREATOR inspired anthems. Singer Matt Drake is an excellent frontman and guitarist who keeps the crowd engaged and never slumps in his performance. His brother OL Drake is one of the finest lead guitarists among his peers, perhaps only rivaled by Ryan from MUNICIPLE WASTE at this level (new, upstart bands only). “We Who Are About to Die” featured both brothers trading solos to a great headbanging rhythm set down by drummer Ben Carter. Carter is one of the harder hitting drummers today and his poor cymbals were absolutely battered to death. It almost felt at times during their set that they were the headline band based on the pumped up crowd reaction. Matt even mentioned that he was pleasantly surprised at how well those in attendance new their songs. “Time No More” is easily one of their best songs they played. A good slice of old school sounding metal with no frills and great, great riffing, this is a song that should never come out of their set list. Matt is at his singing snarling best here and the chorus makes for a great sing-a-long moment in the show. They blew through the rest of their set rather abruptly and finished up strong with “Enter The Grave”. I’d like to see a headline tour from these guys at some point, perhaps in 2011 when they return with what is surely to be a hotly anticipated new album.

Set list:

Infected Nation

We Who Are About To Die

Killer From the Deep

Time No More

Thrasher

Bathe In Blood

Enter The Grave

I probably don’t have an adequate amount of words to describe how excited I was right before FORBIDDEN took the stage. Never having seen the second wave of American thrash emissaries I was so psyched up beforehand and I am proud that many “oldz” like me were up at the front representing. When the strains of “Alpha Century” came on and the band walked on stage the reaction by everyone in the place was immediate and immense. They launched in to the furious classic “March Into Fire” and the band was hitting on all cylinders and the crowd sang every word. “March….” features crunchy, shreddy guitars and superb powerhouse drumming, all capped off by Russ Anderson’s amazing voice. The blond behemoth just wailed the entire show be it screaming, singing in his high ROB HALFORD type range or the occasional guttural yowl. Next was another thrash gem in “Step By Step” which just blew my mind at how tight the band sounded, especially powerhouse drummer Mark Hernandez (VIO-LENCE/ HEATHEN/DEFIANCE). He just beat his massive kit into submission the entire set and was every bit the fine performer too. Playing some cuts off of their new album Omega Wave (Nuclear Blast) the band played the modern sounding “Adapt or Die” and “Forsaken at the Gates” which highlighted the excellent axe work of Craig Locicero and Steve Smyth (VICIOUS RUMOURS/ TESTAMENT/NEVERMORE). Both traded solos with flash and skill and held down the weighty rhythms all night long. Smyth in particular is a tremendous soloist and a players’ player. The die-hards were shouting out song titles like “As good As Dead” and “Infinite” leading Russ to promise to play a more old school set when they come on tour again. They did play most of the classic Forbidden Evil record tonight, however. He also thanked OVERKILL profusely for the opportunity to go on such a great tour and partly enable their comeback after fourteen years . Then they broke into another great old song with “Twisted Into Form”. After closing with the one-two punch of “Omega Wave” and the raucous ‘Chalice of Blood” their set came to a close. It certainly was a worth the wait all these years to see these guys rip it up so good live.

Set List:

Alpha Century

March Into Fire

Step By Step

Adapt or Die

Forsaken at the Gates

Twisted Into Form

Through Eyes of Glass

Omega Wave

Chalice of Blood

Now it was just about time for OVERKILL to do what they came to do. And what they came to do is destroy a stage like only one of the best metal bands ever can do! Despite having a relatively small stage to work with the band had their full production: “Chaley” mascot banner (FU AVENGED SEVENFOLD!), strobe lights, etc. The intro started to “The Green and Black” from Ironbound and the band came out ready to kick ass! As always lead singer Bobby Blitz is last on the stage, but foremost in front of the fans. He is all at once a great performer, field general, joker, crowd provoker and ringmaster of the OVERKILL army. The band sounded like a well-oiled machine unlike some of their peers who have been at it as long as them. As far as the fans are concerned I never felt a big venue atmosphere in small place like I did on this night. People were crowd surfing and stage diving like mad off of the small one foot stage and band members barely avoided getting knocked over many times. The pit was constant and rough the entire night with an ongoing circle pit and no fake ninja crap antics you see all the time now. Coming back with next with the awesome “Rotten to the Core” everybody in the place was screaming along with the Blitz shriek of doom! “Infectious” was next and I was glad to hear the band switch up their set list with some deep cuts for the first time in a long while. Next up was a personal favorite of mine and every fan of the band “Wrecking Crew”. Having the same lineup of Blitz, bassist DD Verni, lead guitarist Dave Linsk, Derek “The Skull” Tailer on the other guitar and Ron Lipnicki on drums for several albums in a row now has really turned out the strongest in the bands’ history. Linsk and Tailer riff and roll with both providing excellent backing vocals. Linsk is a real killer on leads being both bluesy and ballsy too. DD is not only the chief songwriter of the band but a great live bassist with the biggest volume knob you’ve ever seen. Lipnicki is an excellent drummer who gets a little overshadowed with all the other talent in the band. Another deep cut, “Give A Little” was played and it is one of the better songs on Ironboud. It was great to hear it live along with the title track done a few cuts later. The brutal and evil “Necroshine” followed with Blitz’s best vocals of the night on that challenging song. More classics from the crypt followed in “Long Time Dyin”, “Hello From The Gutter” and the always fun “Where It Hurts”. I couldn’t believe how much of Horrorscope, one of their best albums was getting played tonight. The good fortune continued with “Thanks for Nothin’ and “Nice Day… For a Funeral”. The closed the set with my number one all time song for this band in “Elimination”. After a few minutes break with the entire place chanting their name the band came out for a three song encore of “Horrorscope”, “Bring Me the Night” and of course the band theme song “Fuck You”. I was kind of glad that at least for one night “Old School” had been retired as the closer since for my money “Fuck You” is hard to top. As always they could do an entire second set full of all the great songs they did not play this time.

Set List:

The Green and Black

Rotten to the Core

Infectious

The Wrecking Crew

Give A Little

Necroshine

Ironbound

Long Time Dyin’

Hello From The Gutter

Where It Hurts

Thanks For Nothin’

Nice Day For a Funeral

Elimination

Encore:

Horrorscope

Bring me the Night

Fuck You (with Overkill cover)

Reviewed by Keith Chachkes

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Serenity Dies – Album Review

Thursday, August 26th, 2010

SERENITY DIES
Hacksawcracy

I had the pleasure of interviewing Bobby Blitz from OVERKILL a few months back, and caught up with him while he was in Spain playing the European version of Killfest. At that time we spoke about all of the bands that were on the bill, and he pointed one out stating something to the effect of “they’re young, and entertaining, but I’ve heard all of their riffs before”. He continued by stating “Hetfield and Mustaine have been singing and writing lyrics and music about this stuff for years”. SERENITY DIES falls into this same category.

The music as a whole sounds alright, but the production is very low budget and makes the album sound like nothing more than a demo. Sometimes this works in a band’s favor as it gives them a raw energy/sound that gives off a live or sleazy vibe. But for a band like SERENITY DIES this works against them.

Again there is nothing new here, nothing that makes you want to tell a buddy about the album, well at least go out of your way to tell anyone about it anyway. The songs themselves vary from being mediocre to ok at best.

The opening track “Bullet Reign” actually reminds me of WRATHCHILD AMERICA’s “Over The Wall”. The structure of the second track “Psycho Ride” is classic Megadeth. This track also features ANTHRAX’s Rob Caggiano on lead guitar. “Blood Serenade” sounds like a cross between MEGADETH’s “In My Darkest Hour” and METALLICA’s “Sanitarium”. The album’s title track sounds closer to classic ANTHRAX, they should have had Caggiano play on this track instead! The track also has shades of MACHINE HEAD and TRIVIUM. The closing track “Dystopian Law” is a nod towards the influence bestowed upon the band by thrash titans like Slayer and Testament
(more…)

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