Posts Tagged ‘MILLIGRAM’

KYUSS LIVES!….AGAIN!

Tuesday, October 25th, 2011

The Palladium-Downstairs, Worcester MA

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For more years than they existed, KYUSS is a band that lived in the imagination of their fans. Even though the different members have gone on to other bands like QUEENS OF THE STONE AGE, FU MANCHU, SLO BURN and MONDO GENRATOR people have never really been satisfied by the mythological status the band has attained. When a chance encounter and jam at a European tour started the juices flowing again between Brant Bjork and John Garcia, the wheels for KYUSS LIVES! started to turn. It is not a an actual reunion, but this is as close as you will get to one for the time being. Still, the anticipation was high to see the participating members and hear these songs many only know as covers by others bands like THE MELVINS or TOOL.

KeefyPics2011

MONSTRO is one of the best new bands of 2011.

 

The first band up on this night of heavy was MONSTRO from Atlanta, GA. The band has been one of the most impressive new collectives of late with their free swinging 70′s rock grooves and great songs. Although the band is known for some familiar names in rock and metal circles, it is singer guitarist Charlie Suarez. Charlie has a terrific singing voice, one that is sure to garner him high praise. Playing tracks off of their new self-titled such as “Fantasma”, “Concertina” and “Stallone” the band has an impressive stage show buoyed by bassist Kyle Sanders and Juan Montoya (TORCHE). Montoya ripped off some great leads during their set too. Next up was MILLIGRAM who reunited recently to play a few shows. The band is fronted by Jonah Jenkins (ONLY LIVING WITNESS) and led by guitarist extraordinaire Darryl Shepard (BLACKWOLFGOAT). The band was crushing it big time on a collection of tracks from their career including the standout This Is Class War album. Jonah does what he does best, wail on the vocals and deliver them with classy restraint and soul. The entire band was really great through the extended early set.

 

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MILLIGRAM reuniting made this incredible bill even stronger.

 

THE SWORD was up next in the three-hole in the order and they were primed and ready to tear it up big time. They hit the stage with “How Heavy This Axe” and they were naturally on point and tight sounding too. Buoyed by their new drummer Santiago “Jimmy” Vela III they rocked out as they always have with their perfectly matched sound of stoner jams. JD Cronise sounded great as always with his fine voice and sweet skills on the six-string. Cronise and the entire band are all fine performers and always put on an exciting show. “Tres Brujas” followed and also was a smoking hot track. The middle section/breakdown is a pure 70s throwback groove. Kyle Shutt is also choice with his guitar playing too, shredding solos all over the place. He and Cronise make a terrific tandem sharing several harmony leads and breaks. I was impressed with how professional these relatively young guys approached their spot on the bill, choosing to talk little and let the music speak through them. “Bareal’s Blade” like all of the music from their hit Age of Winters always draws a roar from the crowd. The track is so righteous and soulful it is my favorite song by the band and my favorite of their set. Vela III really crushed the drums on the mighty “Freya” which was impressive to say the least. The song is another of their highlights with crushing grooves and riffs. Plowing through a few more songs they closed out with the epic 1-2 punch of “The Chronomancer II: Nemesis” and “Ebetheron”. It was a great set overall and the band proved again why they are one of the legit great groups of this sub-genre.

 

KeefyPics2011

Kyle Shutt shreds a solo during his set with THE SWORD.

 

 

Set List:

How Heavy This Axe

Tres Brujas

Barael’s Blade

Sea Of Spears

Freya

Night City

The Chronomancer II: Nemesis

Ebethron

 

The entire night the opening bands played spartan back lines in the shadow of the massive 1970s motif KYUSS LIVES! banner. It was day-glo as fuck and reminded me of the polyester times of my childhood. I was really beside myself with excitement at the band took the stage one at time. As John Garcia strode out with purpose their was a loud cheer as the multicolored lights shone on the stage. They came on to a short recorded bit of “Spaceship Landing” but really began the set fully with the badassery of “Gardenia”. Garcia was stoic, but pushed almost of his emotions through his vocals with classy form. His beautifully restrained performance added the reverence the music deserves. Perfect. Drummer Brant Bjork with his headband and epic hair were an homage to John Bonham as was his balls out playing the entire show. Even though former guitarist Josh Homme is not participating, he is still a figure that looms large in the hearts and mind of the fans. Still, one must commend the job Bruno Fevery did the entire night, nailing every signature lick and solo flawlessly. “Hurricane” was next and short and sweet. Another top level riff machine of a track. Garcia wailed away on the emotive lyrics and again I was transfixed on him throughout the show. “One Inch Man” and Thumb” brought more intense and smokey grooves highlighted by the bass guitar work of Nick Oliveri. As always he put on an immense show as a performer, just rocking out the entire set. The surpemely trippy “Freedom Run” was next. Sultry guitar licks from Fevery rained down and the track just laid waste to the crowd with its cool heaviness. The band gave thanks to their loyal fans with deep cuts like “Supa Scoopa and Mighty Scoop” and  ”Odessy”. Other cuts like “50 Million Year Trip” were so cool to finally hear live and my mind was blown. When they played thundering versions of “El Rodeo” and “100°” I thought it was the end of the show since the band was just jamming out and letting it all fly. Garcia was like a modern Jim Morrison, a charismatic conduit for the jammage to unfold.

 

KeefyPics2011

John Garcia is the consummate rock vocalist.

 

The band left the stage, but the house lights did not come on for a full five minutes with the fans starting to foam at the mouth. KY-USS! KY-USS! was being chanted by the masses over and over. At last they walked back out and went to their instruments, Garcia to the microphone. Playing a fantastic encore of “Molten Universe”, “Allen’s Wrench” and the ever popular “Green Machine” was a great way to close the night. I was hoping to hear my favorite track, “Demon Cleaner”, but I understood the omission without Homme present. Here’s hoping KYUSS LIVES! keeps this music alive and smoking forever.

KeefyPics2011

Brant Bjork is still a killer drummer.

Set List:

Gardenia

Hurricane

One Inch Man

Thumb
Freedom Run
Asteroid
Supa Scoopa and Mighty Scoop
Odyssey
50 Million Year Trip
El Rodeo
100°

Encore
Molten Universe
Allen’s Wrench
Green Machine

 

By Keith (Keefy) Chachkes

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TOTIMOSHI LIVE: METAPHYSICAL GRAFFITI

Wednesday, September 21st, 2011

This poster derived from the Avenger album artwork is by Brooke Kent. (www.brookekent.com)

 

Life on the road for a band is full of highs and lows. The unpredictable nature of the business of music interferes with the process of making art accessible to many. This is a sad reality for all touring bands, except for a precious few. Perspective is what you need to survive. You can look no further than the band TOTIMOSHI who has been around awhile, opened for some huge bands like THE MELVINS, MASTODON, NEUROSIS and ISIS and have a great new album out, Avenger (At A Loss). O’Brien club, just outside of Boston was less than full tonight which was kind of disappointing. The band however, appreciated those who did come out and didn’t let it affect them at all which was professional and cool. I was hoping to snag the split 7” the band has out with THE MELVINS, but alas they didn’t have it yet.

 

Darryl Sheppard is BLACKWOLFGOAT!

After hanging out a bit and chatting with some local scene folks, the bands started to play. The first band I caught was experimental noise-rock outfit LEAGUES. Fronted by the enchanting Deb Nicholson, the band ran through some obtuse songs that were high-minded, idealistic art pieces as much as they were songs. The crowd was digging it and the band seem to give that energy right back to the fans which was cool. Next up was solo guitar act BLACKWOLFGOAT. BLACKWOLFGOAT is the brainchild of guitarist Darryl Sheppard (MILLIGRAM/HACKMAN) who gets up there with just a guitar, an array of effects and one solitary amp. He crafts interesting rhythm and drone effects with his delay and sampling pedals and then plays beats, counter melodies and other riffs built on top of that foundation. The results are trippy and cool his choice of notes and licks is quite clever. Some of the loops become just insanely hypnotic over the course of time, sucking you in to the musical vortex. Bravo!

 

TOTIMOSHI rips it up live in Boston.

Finally it was time for TOTIMOSHI to hit the stage. They set up quickly and the fans that were in the house packed into the front for the headliners. The band readied for a musical war of the senses. Opening with the title track from their new album, they definitely set it off big time. Propulsive beats dropped from drummer Chris Fugitt like a thunderclap as Tony Aguilar’s guitar tone stabbed at our ears. The grooving jam just filled up the room and crushed. “The Seeing Eye” was next and was also really impressive. Between Aguilar’s fuzzed out riffs and singer/bassist Meg Castellanos thick as a brick basslines, the song is head-nodding good time. Aguilar is one of the more underrated front men rocking stages today. In addition to his terrific guitar skills, he is a fine singer and really connects with the crowd to put across his lyrical poetry. The stop-start riffs that end the song were lock-tight, showing what a veteran group with chops like these can do. Another Castellanos bass heavy track is “Calling All Curs” was next. A classic sounding funky instrumental, it is a jam full of swagger and bounce not unlike LED ZEPPELIN’s “The Crunge”. Fugitt in particular really killed and he was playing a cool looking see-through red drum kit that resonated throughout the tiny club. He also chips in some vocals here and there. Next up were “Ladron” and “Dance of Snakes”. “Ladron” begins as a trippy BLACK SABBATH or CREAM stoner jam, but quickly shifts in the verse to a semi-tone poem vibe. Later on it boils over into a full-fledged stomping rock anthem. “Dance of Snakes” is another husky rocker with a great breakdown and a super heavy ending. Just real music, delivered from the heart which is hard to come by these days. “Mainline” has a bit more in common with jazz music in terms of angular beats and phrasing, but winds up as a bluesy dirge. Aguilar’s passionate wail gives a feeling of imminent doom. As they sailed through the rest of the set with little stage banter, they chose to keep the focus on the music. “Viva Zapata” recalls some of the more interesting early SOUNDGARDEN songs when they were a lot more experimental. Aguilar in particular has a bit of Kim Thayil in his vibrato and chord voicings that really gets to me. “Gnat” was my favorite song of the set with its atmospheric build up all the way through to its rave-up ending. After robust versions of “The Fool” and “Opus” the band ran through an amazing cover version of “Are You Experienced”. Aguilar just slayed on the guitar solos and his whammy bar action is really admirable. They closed the triumphant set with “Waning Divine”, easily one of the best and hardest songs the band has ever written. It is equal parts ethereal, PINK FLOYD meditation and also a furious doom masterpiece all together. TOTIMOSHI is a band that really tries to create something special with their music so check em out if they come to your town.

Chris Fugitt is a powerhouse drummer.

 

Set List:

Avenger

The Seeing Eye

Calling All Curs

Ladron

Dance of Snakes

Mainline

Viva Zapata

Gnat

The Fool

Opus

Are You Experienced?

Waning Divine

 

by Keith (Keefy) Chachkes

 

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