Posts Tagged ‘more cowbell’

ALBUM REVIEW: SEXCREMENT

Thursday, July 12th, 2012
Sloppy Seconds (Comatose Music)

SEXCREMENT’S new album Sloppy Seconds from Comatose Music is a solid production. Mixed wonderfully by fellow Massachusetts musician Eliot Bayless (REVOCATION), it’s not too clean. You can hear dirt on it that adds to the party vibe of it. At first listen, these Boston boys reminded me a lot of the old Maryland boys DYING FETUS’s early efforts with some CARCASS melodies and harmonies sprinkled on top. Their über-sarcastic song titles are only part of the fun. With songs like “Heard it Though the Rape Vine” and “Well Hungover”, I was expecting parody. Thankfully it wasn’t the case here. They even manage to toss in a little bit of cowbell and it fits perfectly.

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These guys are all good players, but the bassist Blue Spinazola (DYSENTERY/PARASITIC EXTIRPATION), stands out the most. It’s always nice to hear interesting bass in this type of music. You can hear a little taste in the second song, “Chemical Handcuffs”. Keep an eye on that guy, he’s the bands’ secret weapon. The song intros are really funny and make you guess what they’re gonna do next. They give you the standard death metal basics, but include some non-typical breakdown sections as well. This means really good, odd-time signatures. I found this album highly listenable and I’ll probably look for their first release from 2007, Genitales from the Porno Potty too. If your up in Boston or they’re playing your way, I say go check them out. If they can pull off live the energy they capture on here, you won’t be disappointed.

 

SEXCREMENT: Some bands’ photos look like they ought to be memes.

GRADE: B

Ojayy Cordy

 

 

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ALBUM REVIEW: ANVIL

Wednesday, October 5th, 2011

Monument of Metal: The Very Best of ANVIL (The End Records)

Drummer Robb Reiner painted the cover art work, as seen in ANVIL: The Story of Anvil

 

Riding high of late, ANVIL has a new retrospective. These have been interesting times for the Ontario, Canada based band since the 2009 documentary ANVIL: The Story of Anvil. They have seen their album worked on in the movie widely released, toured the world at a much more professional and regular clip and released a decent new album in Juggernaut of Justice a few months back. Now comes a deluxe greatest hits package with re-recorded, live or remastered versions. While this is a no brainer purchase for their fan base, will the recent renewed interest help new fans find the band as much more than a novelty? Let’s find out!

The first good move was that the collection is not just from the early days, but celebrates their entire career. The songs were hand picked personally by the band, this is the best representation ever of the group’s history. These tracks are also indicative of the bands versatility of style be it proto-thrash, heavy metal or rock. When This Is Thirteen was re-released by VH1 in conjunction with the film the band re-recorded new updated versions of their classics and some of these like the bands biggest hit “Metal On Metal” sound terrific. The guitars snarl and cut through the speakers with a punch they never had on cassette and you can really here Robb Reiner’s pummeling drum strokes cut right through the din as well. However, if all the band had was one great song this collection wouldn’t be much of a collection now would it? “Winged Assassins” is a killer track from Forged In Fire. Insane riffage and furious sounds with all the touch stones of early thrash/NWOBHM music in place. This is followed by the more recent “666” which is one of the fastest and heaviest anthems the band has ever made. “Thumbhang” is next. The song was first talked about in the film as a forgotten jam and it is really cool to hear it fully realized now. The BLACK SABBATH doom meets classic metal sound here is great, as is Glenn Five’s bass licks. The Steve “Lipps” Kudrow signature lead guitar sound and choice sense of humor are still there after all this time. “School Love” and “Heat Sink” are more in line with the band’s early KISS and IRON MAIDEN fascinations with the latter being the better of the two. Then there is my favorite song by the band “March of The Crabs”. “March….” even as an instrumental is on par with all of the best early thrash anthems and that includes the mighty American Big Four as well. Lipps was ahead of the pack as a lead guitarist for his generation. A powerful and emotional song with excellent riffs and beats. “Plenty of Power” is another riff-fest in the JUDAS PRIEST mold while “Mothra” is another cool old school jam. The updated (1989) version of “Jackhammer” is miles above the original Metal On Metal version, where it was one of the better tracks back then. The title track off of Juggernaut of Justice still hasn’t sold me more since the early summer, but perhaps a stronger choice might have been “Swing Thing” or “When All Hell Breaks Loose”. The rest of the collection ranges from great: “Sins of The Flesh”, “Mad Dog”, “Fire In The Night” and “Park That Truck” to just okay songs like “Bottom Feeder”. Still, if you don’t know the band beyond the film and their “hits”, this is a fine entry point to a deeper listen that will give you insight into music that has sustained for over thirty years.

 

ANVIL in 2011

 

GRADE: B+

 

by Keith (Keefy) Chachkes

 

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ALBUM REVIEW: ANVIL

Friday, May 27th, 2011

Juggernaut of Justice (The End Records)

By now we all know about ANVIL via their hard luck film Anvil! The Story of Anvil. The film helped improve their profile among mainstream fans and help refresh them to old school ones. It was a rough film to watch if you ever tried to make a career go of it in rock or metal (like I did) and showed the guys who just needed a chance to improve on their former glory. Well the film was a smash success and has opened (or reopened) a lot of doors for them. The promise of the movie was that given the chance to make a proper new album with everything in place to promote it they would come through big. Well the chance to answer the bell is here on their first album of new music since the movie in Juggernaut of Justice.

Still going strong.

The album opens up with the title track and it’s a definite rocker despite some lyrical cheese. Still, the band sounds vibrant and exciting in an early 80′s JUDAS PRIEST kind of way. Produced by Bob Marlette (OZZY OSBOURNE/ALICE COOPER) the record has the big riffs, humorous and intelligent lyrics, wicked guitar playing and pounding drums that have always been the currency of the band. Guitarist/singer Steve “Lipps” Kudrow and drummer Robb Reiner still deliver strong, bow-worthy performances. Second track “When Hell Breaks Loose” is a little more my style with a real uptempo, old-school feel and groove. This song also has awesome lyrics and vocals by Lipps, who also kills on the guitar solo too. Slow Sabbath-ian jams have always been a secret weapon of the band and tracks like “New Orleans Voodoo” shine brightly. Extra props to Glenn Five’s unsung, weighty bass tone which gives extra power to the tune. They come right back to the fast thrashy stuff with “On Fire”, the hilarious “Fucken Eh” and “Turn it Up” and  in terms of top to bottom songwriting quality this is the best release the band has put together in a while. ANVIL knows who they are and what the fans want from them which is their best asset sometimes. They stay within their hard rock/proto-metal arena and mine that for as much musical gold as possible and don’t try to be something they are not. Other tracks like “This Ride” and “Running” have the marching metal stomp many wannabe neo-thrash bands have yet to conquer. I am also partial to “Conspiracy” (more cowbell!), “Paranormal” and the ripping instrumental “Swing Thing” (think MOTORHEAD meets BENNY GOODMAN) that closes the album. I would rather hear these guys, a band whose cassette I had in high school, do their best to be true to themselves rather than hear the one hundredth pack of noobs fail big time at ripping them off. Long live ANVIL!

 

GRADE: B

by Keith (Keefy) Chachkes

 

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