Posts Tagged ‘Phil Bozeman’

ALBUM REVIEW: WHITECHAPEL

Tuesday, June 19th, 2012

Whitechapel (Metal Blade Records)

Enter the third chapter of WHITECHAPEL with the brand new self-titled album. While the last two albums were pretty much strictly brutal deathcore and Somatic Defilement being a grind album, this album sees the band venturing into melodic death metal territory while still retaining the extremely heavy deathcore elements that have made them such a big name in music today. From the piano driven opener of “Make It Bleed” and the melodic sections of “(Cult)uralist,” to the conclusion of “Possibilities Of An Impossible Existence,” this album captures the band at their intense peak that most (myself included) thought they couldn’t top after A New Era Of Corruption.

With “Make It Bleed,” they use a vastly different template than before. There are a lot of guitar solos that all create a dark and somber mood, which plays off of the aggressive parts of Phil Bozeman’s intense vocals and Ben Savage’s technical guitar leads. Everything just sounds much more cleaner and refined than ever before, partly due to the addition of new drummer Ben Harclerode (ex-KNIGHTS OF THE ABYSS) behind the kit. His playing is very different from Kevin Lane’s as he progresses between the different sections of each song like it’s nothing.

There are so many highlights on the album that it’s near difficult to pick favorites. One of them would have to be “I, Dementia.” This track is easily the heaviest track on the album and one of the few that is pure deathcore. But just saying that it’s deathcore doesn’t properly give it the room it deserves because it’s nothing like they’ve written before. It can be added that it goes at more of a doom metal tempo as well. While the progression isn’t near as experimental as the other tracks, this proves the point that sometimes less is truly better. It never hurts to have a more minimal and straightforward track like this one that is sure to be a live staple in their future.

Another real stand out track is definitely “Dead Silence.” This track further instills this new era of Whitechapel that will be cemented in metal history forever. This is where the instruments play center stage and throw the listener into a cataclysm of sound. When the three guitars all seamlessly play brutal and intense riffs alongside the dedication of Ben’s drumming, it shows that not only did this band record the best album they’ve ever done, they are serious about it. You can just feel the emotion through the insane riffs alone. While Phil did nothing short of a stellar job, this song has enough strength to be a full on instrumental track.

GRADE: A+

By: Ridge “Deadite” Briel

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WHITECHAPEL: THE METAL ARMY INTERVIEW

Tuesday, June 12th, 2012

In support of some pre-tour coverage of the upcoming Mayhem Fest, MAA staffer Ridge A.K.A. Deadite recently caught up with WHITECHAPEL lead guitarist Ben Savage to talk about the stellar new self-titled record, how they are preparing for Mayhem Fest, and what the near future holds for the band.

 

 

MAA: So I’ve heard the new record and I must say that I’m blown away by it. It truly is a huge step up from anything you guys have ever done. In songs like “Hate Creation,” there’s just so much more going on than just the music. What made you guys want to incorporate all of these different sound elements into the album, instead of the no holds barred assault such as This Is Exile?

BS: It’s one of those less is more. This Is Exile was unrelenting and had a lot more riffs per song where the riffs was powering the song. We went with a different approach where we will take two, three, or four awesome riffs and take different views on them and what we could do. We wanted to experiment with the riffs we had because the other riffs worked together really well. With “Hate Creation,” that riff just calls for it. We never would have figured out that riff can go to that place had we not experimented with it. It was a lot of trial and error.

 

MAA: Having three guitarists, was it any harder to write these more melodic sections on the self-titled album?

BS: Not really, if anything it was easier. Whenever we were writing, everyone was there. We didn’t have anything written before January 1st when we started writing and we were done February 1st. We ended up with a table full of riffs. We would listen to them every day to see which riffs stuck out to write songs from. We didn’t finish the record until everyone was happy.

 

MAA: Why was it that you left it as a self-titled album?

BS: We couldn’t really think of a name that gives off the vibe that we wanted. We felt that self-titled was fitting because it’s sort of like starting with a new beginning or a re-branding of the band. I love our first three records, but we feel that this album is a step up. It’s a whole new thing we’re trying to do.

 

MAA: That’s one thing I’ve always loved about WHITECHAPEL is that every album takes the band in a whole new direction and they don’t sound alike.

BS: We always keep out ear open and look for different ways we can go. After we write and record those songs, we’re out there playing them live. We have to be confident in the songs that we make.

 

 

MAA: Looking back at Somatic Defilement and fast forward to now, how do you feel the band has progressed in terms of song writing and experience wise from then?

BS: I don’t know, it’s hard to say really. I mean, we were really young when we wrote Somatic Defilement, which was of course our first album we ever wrote together. We’ve gained so much experience, being out on the road and seeing all of these different bands and touring with bands that we respect. We take influence from them in any way we can.

 

MAA: When you guys wrote the acoustic version of “End OF Flesh,” you guys received a lot of positive feedback. Any chance you would do that again in the future?

BS: Definitely. That’s another thing with our new songs. I wanted to write songs that we could play acoustically to. A lot of the songs on the new album can be transcribed to acoustic guitar. I wouldn’t count it out on recording more acoustic tracks in the future.

 

MAA: What was the overall experience like working with death metal legend MARK LEWIS behind the board for the album?

BS: Mark’s the man! He’ll keep pushing you till he hits your buttons. Phil would be like “Let’s take a break,” and Mark would give him shit for it and say things like “Don’t be a little bitch about it” to piss him off so he gets better takes out of it. He did the same thing with me and everybody else.

 

MAA: The last time I saw you guys live was on Warped Tour 2010 and now you’re on Mayhem Fest 2012. What sort of differences do you anticipate between the two tours?

BS: Warped Tour is more like chaos. There’s about fifty bands on Warped, where as there’s about ten on Mayhem. Mayhem I see as more relaxed and getting to know everybody on tour rather than chaos. I definitely prefer Mayhem as far as how it’s set up and the bands that are on it.

 

MAA: How are you preparing yourselves for this tour?

BS: Just packing really well, maybe some sunblock or something. I’ve been doing this for a while, so I pretty much got it figured out.

 

 

MAA: What are some of the songs you plan on playing live at Mayhem?

BS: “Hate Creation,” “Section 8,” “I, Dementia,” and “Possibilities Of A Possible Existence.” We may even play a song off of Somatic Defilement out there.

 

MAA: After Mayhem Fest, what’s the next step for the band?

BS: We have two supporting tours after Mayhem, but I can’t say who and what just yet.

[Note: Not even thirty seconds had passed after the phone interview when the WHITECHAPEL FB page announced the tour in Europe they’re doing with THE DEVIL WEARS PRADA and AUGUST BURNS RED.]

 

MAA: If you were to market WHITECHAPEL to people who haven’t heard you or seen you live yet, how would you go about doing that?

BS: I would exaggerate it. I would say that we’re the most disgusting and heaviest band ever, even though we’re really not. I don’t know what I would really say. (laughs)

 

MAA: Any last words for the fans?

BS: Enjoy the new record! Make sure you listen to it on good speakers to get the full effect. No distractions, we have a lot of stuff going on and hopefully they can take it all in.

 

by: Ridge “Deadite” Briel

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LIVE REVIEW: WHITECHAPEL/THE ACACIA STRAIN

Tuesday, March 1st, 2011

The Palladium, Worcester MA

I went to the Worcester Palladium to see the “Welcome to Hell” tour, Worcester being the scene of many of my local metal escapades. The ante would be raised on this night since THE ACACIA STRAIN call central Massachusetts their home turf and they always pack the house with their crazy fans. Their name was even on the marquee of the venue which normally isn’t done for a second on the bill act. I really don’t care for I DECLARE WAR, CHELSEA GRIN or VEIL OF MAYA so I showed up late to the venue as massive ACACIA banner was going up. The place was nearly sold out for this tour which is impressive with this economy. I think only the SUICIDAL TENDENCIES and HANK III shows were more full of the people in the last year and I am always glad to see a house full of people supporting metal. Even if that means there are a lot of scene kids in the house it still makes me happy so please support your local scenes at all costs!

I found a good spot and settled in as a huge cheer went up as the lights went down. Kids were already moshing to the into music and crowd surfing. They walked on stage to a heroes welcome as frontman Vincent Bennett shouted “we’re the ACACIA STRAIN from right here and we came to rock so let’s do this!”. Then the band launched into their opener, the grinding “Beast”. The crowd was feeling it with a lot of moshing and less of the invisible ninja type stuff I usually expected. Next came the equally crushing “The Hills Have Eyes”. Bennett is one of the best vocalists in deathcore with his gravely voice and great on stage charisma. He had the crowd eating out his hand the entire performance. Classic track “Whoa Shut It Down” followed and had about the sickest breakdown of the night. Considering the loss of founding member DL (he still writes and records with them, doesn’t tour) on guitar the band has soldiered on nicely. Tim Cavalleri and Antonio Diaz are solid players, holding down the detuned grooves that are the foundation of the band. They both keep the energy up high as well with their performance. Drummer Kevin Boutot as usual just pummels the drums and allows the songs to shine by not over playing, which is key for this style of music. Bassist Jack Strong has strong bass chops and provides good backing vocals on a lot of songs. As the band drilled through one smasher after another like “See You Next Tuesday” “Ramirez” “Bay of Pigs” and “Jonestown” they were on their way to putting one one of the best performances I have seen them put on, or anyone at this venue in terms of action, energy and attitude. Closing out with the explosive “JFC/Carbomb” they we joined for the last few minutes of their set by the one and only DL which was really cool.

Set list:

Beast

The Hills Have Eyes

Whoa! Shut It Down

See You Next Tuesday

Ramirez

Dr. Doom

Bay of Pigs

Jonestown

JFC/Carbomb

 

WHITECHAPEL was getting ready to close out the night next as they changed over the stage. I started reflecting on having seen them rise to prominence from the underground in the last few years. Having seen them play in a tiny room on a little stage at the Scion Rock Fest (Atlanta) a few years ago with a mix of old school deathmetal fans and few core kids, to their big side stage appearance at Mayhem Festival 2009 to the crowd from tonight made up of mostly underagers. They have scaled the heights of the underground and have become very popular within the deathcore sub-genre. When last year’s album A New Era of Corruption (Metal Blade) dropped I thought it was good, but not great. They always put on an energetic show live so I basically knew what to expect which was more recent jams and less older material.

Taking the stage in darkness and the raising the lights at the start of “Devolver” just blew the lid off the place. The six man crew led by vocalist Phil Bozeman did a great job of hyping up the already pumped up crowd that was moshing and crowd surfing over the barricade throughout their set. He is a fine frontman with a beastly, harsh voice. Second cut “Breeding Violence” was equally heavy and again had a multitude of breakdowns. Next track “The Darkest Day of Man” is indicative of most of the deathcore genre and the majority of their songs alternate from thrash riffs to brash grooves that make you nod your head in agreement about how much the song rules. This song best highlights the bands three guitar approach of layers of riffs. Alex Wade, Zach Householder and Ben Savage all split up the rhythms and textural parts while Savage steps out for the leads. “Reprogrammed to Hate” is one of the band’s best songs from New Era… even thought I thought the live version was lacking slightly next to the original that features THE DEFTONES Chino Moreno. New drummer Ben Harclerode killed it most of the night with his wildly fast feet and triggered drums. He was especially impressive on the older material lie “Prostatic Fluid Asphyxiation” and “Vicer Exciser” later in the night.

As night wore on however, it became apparent that the band is much more about where they are musically now than where they started from. That is a bit disappointing in my opinion because while the scene kids eat up the bass drops and scripted mosh parts, the original promise of the band as a hybrid of death metal and deathcore goes unfulfilled. On newer songs like “End of Flesh”, “Unnerving” “Single File to Dehumanization” the band is goes through the motions with formulaic songs that seem like the same song over and over. On the other hand “Murder Sermon” was on the of the best songs of the set, full of original riffs and character. It would have been nice for Vince from ACACIA to come back out and do the song like he did on the album, but he did not appear. The band finished the show with an encore of “This is Exile” and the show which was high on energy and action, but less on originality was over.

Set List:

Devolver

Breeding Violence

The Darkest Day of Man

Reprogrammed to Hate

Prostatic Fluid Asphyxiation

End of Flesh

Unnerving

Death Becomes Him

Vicer Exciser

Eternal Refuge

Murder Sermon

Single File to Dehumanization

Encore:

Of Legions/This is Exile

 

Keith Chachkes

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