Posts Tagged ‘pop-punk’

ALBUM REVIEW: KRUM BUMS

Thursday, September 8th, 2011

Cut the Noose (People Like You Records)

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Punk. Either you were there or you weren’t. Like metal, punk has die hard fans and very few casual hanger-ons. Which may be the reason why they borrowed so much from each other and why many bands crossed over with many mutual heroes. There is definitely something about punk, an intrinsic intangible that no other genre has had a real bead on. More than anything else good punk rock has heart and a ton of it. I knew that fact even as a metal head teenager whether it was THE RAMONES on the classic rock station or GORILLA BISCUITS playing a Sunday matinee. The very same SUICIDAL TENEDENCIES CD’s I still go nuts for are right next to my CRO-MAGS, FEAR and CLASH ones. We are no longer in a age where long hair dudes and chicks need to tuck their ponytails up in their hoodies (like I had to) and Mohawked punks still are free to skank away in the circle pit unharmed at the most metal of metal shows. Playing balls out pop punk with an hard edge and a butt load of soul are the greatly named KRUM BUMS hailing from Austin, Texas. They are the latest sons of the street to come along being punk but respecting metal and rock too.

Cut the Noose is made up of fourteen of the most intense, fun, rocking punk n roll jams I have heard in a long time. The opening riffs of “Population Control” are practically lifted right from DANZIG’s “Mother”, but hey if you are gonna steal, steal a diamond right? Otherwise the song is a fast and tight paranoid sing-a-long of the highest order. Lead singer Dave Tejas has done it all, seen it all and lives to scream about it in his disaffected metal yowl. He has the right touch of grit in his voice and a classic sarcastic delivery. Similarly “Action City” is a terrific party anthem complete with tough guy gang vocals. Bunches of fun riffs and infectious guitar soloing takes over the song and leaves you smiling. “Poison Myself” is full of the same vitriol and pacing of classics by BLACK FLAG and THE DEAD KENNEDY’S. Uplifting, sentimental lyrics also call to mind Tim Armstrong or Mike Ness at their soul baring finest. It turns out the true punk rock ethos is not the bloody, snot dripping kid wit the anarchy symbol on his jacket as much as it is that same kid grown up and hardened by his life; older, wiser and reflective. Tejas does this really well. “Gasoline” is a gem of pop perfection, down to its cascading IRON MAIDEN-esque riffs and harmonies in the chorus. “Hit and Run” is another killer tune with another infectious melody. Longtime guitarist Trae Martinez is apparently the architect for a lot of this sonic ear candy that is sweet as honey. “Starving Wolves” is equal parts thrash and hardcore, with the perfect blend of both genres all at once. “Gallows” is yet another catchy sing-a-long track in the finest tradition. The title track, like most of the songs on this album is short and to the point. This time it’s the straight up angry variety and we finally hear bassist Ry Meyer cut loose on some neat bass runs. Other standout jams are “Injection” and “High Highs, Low Lows”. The guys in the KRUM BUMS are not reinventing the wheel here nor are they straying to far from the things that made their heroes so great. What they do have is music delivered with a lot of heart. In essence that is what all good music aspires to do.

THE KRUM BUMS: Punks with an intense edge and realness.

GRADE: B+

 

by Keith (Keefy) Chachkes

 

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ALBUM REVIEW: AN EARLY ENDING

Wednesday, September 7th, 2011

Igniter (CI/Decadent Suite Records)

Nobody will ever accuse Harrisburg, Pennsylvania’s AN EARLY ENDING of not understanding irony or taking anything for granted. The metalcore loving five-some was on tour in 2009 when their van was in a head on collision that was nearly fatal to the entire band and their crew. Joke all you want, but there is a certain fragility to life on the road and people who play music for a living often never think of the worst case scenario until they are faced with life or death choices. In the meantime the band dusted themselves off and hit the comeback trail. In the tradition of comeback stories they have put out their next full length, Igniter, certainly shaped by their experiences.

After the dramatic opening of the album intro the band slams into the title track with abandon. Playing a mix of metalcore and active rock, the band is quite tuneful and melodic. When they kick their more metal style of riffs, front man Alex Runk shifts from his high singing voice to quite a good hardcore guttural vocal style. He has a deep, bassy growl that gives the band most of its toughness. The song is what you would expect with catchy choruses and a breakdown. Second track “I Won’t Illuminate This” has some interesting elements added to the bands core style including some studio effects and programming tricks. Runk again is the focal point. The are some cool colors added by guitarist Greg Hildebrand that add to the quality of the song. The breakdown shifts back and forth between heavy and melodic. Drummer Logan Summey is solid and lays down a strong foundation for the band. “Dead Eyes” is the albums most brutal track with cool metallic riffage. The big sweeping chorus comes in and lifts the track up a notch with some great double tracked lead vocals. Conversely “Only Way” is the albums most catchy, yet least metal song. It is closer to pop punk than anything with an edge. Next cut “Breath” is much stronger and has a lot of cross over elements. The band is not short on talent, but this is where the album seemed a bit repetitive to me. “Powerless Monster” is the third best song on the album with an excellent main riff, another huge sing-a-long refrain and some more fine guitar antics. “Home (The End)” is the albums closer and has some interesting elements going on with piano and some weird effects. Despite being fairly middle of the road musically, there are some fine songs on here and good performances overall. A solid return for AEE who will likely go on to make some major inroads with the cool kids set due to their ability to write great melodies.

GRADE: B-

By Keith (Keefy) Chachkes

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ALBUM REVIEW: AUGUST BURNS RED

Tuesday, June 28th, 2011

Leveler (Solid State Records)

It seems like only yesterday that everybody and their poorly coiffed little brother was jumping on the metalcore band wagon. A few bands were really innovative and interesting for a hot minute. Several other blew up big in the second wave when commercialism set in and got a foothold (always happens no matter what style). Many fell off and some are still alive and kicking. AUGUST BURNS RED is one of the bands that is still out there not only mining the style, but actually doing a decent job of keeping the flame alive. If they keep putting out albums like Leveler they should be able to keep the torch burning for a while longer at least.

 

The lead off track “Empire” encompasses everything the band does well in one song. Churning rhythms, excellent guitar work, solid drumming and impassioned bellows of frontman Jake Lurhs. The changes between metalcore, hardcore and even some thrash elements are buoyed by the bands talent for melodicism. Even the pop-punk style, one measure sing-a-long that would be cheesy by any other standard, works here in spades. Second track “Internal Cannon” is even more impressive. After a minute or so of pummeling riffs and beats the song shifts into thirty seconds of an Afro-Cuban jam that would be more at home on a SOULFLY album. They do a beautiful job of shifting back and forth between metal and other genres quite easily and when the band cites BETWEEN THE BURIED AND ME as an influence you can see why. The vast majority of this works in part due to the talent of guitarists JB Brubaker and Brent Rambler. Brubaker in particular is the standout with his fluid leads and he handles the majority of the songwriting as well. The production of Jason Suecof has really brought out the subtleties in everyone’s playing, but being a guitar guy, he has really cultivated this area of the band especially well. “Divisions” is another quality track. The band blends typical riffs with atypical motifs and textures that other bands have trouble pulling off. It also features another throat shredding vocal part from Lurhs who really conveys the feelings behind his lyrics and may explain the bands’ die-hard following. “Cutting the Ties” is my favorite song on the album and will surprise the listener with black metal (!) flourishes at times that surprised me considering ABR’s Christian pedigree. Irregardless, the band is not afraid of experimentation and they certainly are the heaviest of all of the their peers in the field. Drummer/programmer Matt Grenier certainly sets the pace and is an integral part of what the band being stylistic chameleons. One thing I also need to single out is their selective use of the now thoroughly played-out bass drops. They only use them sparingly which is appreciated because the predictability and saturation of this gimmick is starting to make me nauseous. “Pangea” is another excellent track with more sinewy lead work from Brubaker who has turned in his best individual effort to date. Other standout tracks are “Salt and Light”, the drumming workout of “Poor Millionaire” and the title track that closes out the effort. Without reinventing the wheel musically or themselves, ABR has raised their songwriting and playing to a new plateau.

 

GRADE: B

by Keith (Keefy) Chachkes

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