Posts Tagged ‘rise records’

MISS MAY I: THE METAL ARMY INTERVIEW

Wednesday, July 4th, 2012

Miss May I have just released the already critically acclaimed new album At Heart, so we decided to hit up lead singer Levi Benton to talk about what the album is about, the meaning behind the music video for “Hey Mister,” and about the current trend of metalcore today.

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MAA: I’ve heard the latest album At Heart, and I actually really liked it. With your blend of metalcore and thrash music, it appeals to two different demographics. How did you come about incorporating this kind of genre crossover?

LB: We’re all fans of older metal bands like ALL THAT REMAINS, IN FLAMES, SLAYER, KILLSWITCH ENGAGE, and we would be listening to them while writing our albums. Out of us five guys, none of us listen to the same metal bands. So there’s some  ’Oh, I like this but will they?’

 

MAA: So you guys are able to throw in a bunch of different metal influences all in one package!

LB: Exactly. There’s not a lot of metal bands nowadays that are influenced by the newer stuff. We grew up listening to this type of metal, so we incorporate the best out of it and write something new.

 

MAA: What exactly is the song “Hey Mister” about and how does the music video tie in with the songs meaning?

LB: Well “Hey, Mister” is about growing up with no father figure. It was difficult writing that because I felt that no one has ever really wrote a song about that and I know people can relate to it. The video was cool, the script was written by the directors. The whole story is about how I’m looking for a father figure, but it’s obviously dramatic with the island and stuff. The island is supposed to represent a dream and when I follow those two people, they are supposed to be angel-ish. The big, robed guy at the end is supposed to be the father figure. At the end of the song, I talk about it doesn’t matter that I didn’t grow up with one and that I didn’t need him to be the person I am now.

 

MAA: Who was it that directed it?

LB: Thunder Down Country Productions.

 

MAA: On top of that song, by the album title I would think that At Heart is a very personal album. What sort of other life experiences did you draw upon when writing for this album?

LB: It was really cool to write this because it was the first time I wrote from the heart. I just felt like a lot of metal bands exaggerate too much and a lot of their lyrics are overwritten about the same things like “Oh I hate this.” It was nice to go approach this record and think “This is stuff I actually went through.” It was easier to write about, like there’s parts about how I grew up and problems with money, friends, and all real stuff.

 

MAA: What are some of your personal influences that make you want to keep recording and touring extensively like you do?

LB: I’m really influenced by AS I LAY DYING. I like that they never really did anything different, they’re just a really good metalcore band and they focus on being good live. Now that’s what we focus on within the MISS MAY I camp. No matter if we don’t sell a lot of merch or a lot of kids don’t come to our shows, as long as we’re good live and keep playing, that’s all that really matters.

 

MAA: What was is like recording with legendary producer Machine (LAMB OF GOD, CHIODOS, PROTEST THE HERO, IMPENDING DOOM)?

LB: It was awesome, he’s a crazy guy. He made us all better musicians by pushing us really hard, opened my mind up, and broke through a lot of barriers I didn’t know I had. His whole thing with me was that to not just put lyrics on a CD, but to make people feel it. That really kicked my butt, but the finished product came out awesome.

 

MAA: In the future, would you consider re-releasing the Vows For A Massacre EP and the 2008 Demo?

LB: I would actually like to do that! We get a lot of feedback from people wanting to hear that older stuff. We wrote those when I was in junior high. Listening back, I always think ‘Man, that part sounds way cooler than the more recent version.’ It would be nice to do a throwback like that.

 

MAA: So let’s say you guys were approached by the Punk Goes guys to cover a song. What would you do?

LB: I would do “Call Me Maybe.” I love that song hahaha.

 

MAA: As popular as that song is, I’m a little surprised that no one has covered it yet.

LB: No one has done it and MISS MAY I wants to be the first to do it!

 

MAA: When you guys are on the road, what is the road fuel of choice?

LB: I like Subway. Everyone likes Mexican food. I get heartburn because I’m a baby. I know Subway sounds cliché but there’s so many options you can never have the same thing twice.

 

MAA: What sort of advice could you give other bands in terms of preparing for extensive touring like you guys do and to keep it all together?

LB: You have to stay level headed. You can’t go out there thinking you’re the best band out there because you’re not. There’s so many other bands out there that are going for the same thing. I think people get so big headed about it and it just comes back and bites them in the ass. Be happy with who you are because, well, you got the best job in the world.

MAA: Any last words for the fans who came out here to Warped Tour to see MISS MAY I and to the people who haven’t heard At Heart yet?

LB: It’s the first album we’re actually proud of all the way through. There’s no barriers on it, it’s just metalcore all throughout the album. Old school hair whips and circle pits.

 

By: Ridge “Deadite” Briel

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ANAAL BLEEDING… Er, SUFFER WELL Signs With CENTURY MEDIA

Wednesday, January 19th, 2011

I have been a longtime fan of ANAAL NATHRAKH, the British blackened grind outfit that has given the extreme metal underground some of the most venomous albums in recent memory. BLEEDING THROUGH was never really my cup of tea because I wasn’t really into hardcore for quite some time, however I’ve seen them a few times and they are always fucking awesome in a live setting.

Now the two forces have joined together as Mick Kenney and Brandan Schieppati have announced the formation of SUFFER WELL. I originally heard that this band was named SORROWS and had signed to RISE RECORDS. However, this doesn’t appear to be the case anymore. A new name and a new label has taken notice as the bands announces their signing to CENTURY MEDIA RECORDS.

SUFFER WELL blends together some of the more guitar driven and electronic moments from ANAAL NATHRAKH with the BLEEDING THROUGH frontman’s signature bloody bark for a sound that is pretty fucking awesome upon first listen. Head over to their official MySpace page to hear the first single from the album “Treachery” and be the judge for yourself!

The band has also partnered with former members of 18 VISIONS and COMBICHRIST and are currently making plans to bring their live show to North American audiences. I am extremely excited to see how this one plays out!

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EPIC TRANCECORE Roundup

Friday, October 15th, 2010

A tried-and-true route to musical innovation is to combine two genres which had never previously come in contact. While we’ve yet to find anybody with the balls to create sub-genres like rapabilly or industrial funeral ska, there’s a burgeoning crop of bands playing something almost as funny and great: TRANCECORE. Put simply, trancecore is Rise Records-style metalcore (eg The Devil Wears Prada) with the addition of trancey synth elements (like you’d hear on a Cascada record).

Enter Shikari “Mothership”- this is the first example of trancecore that I’ve been able to find. It’s not bad, but newer bands have done a better job with the genre IMO

E Type “True Believer”– not a trancecore band, but an early example of cross-pollination between metal and shitty dance music (courtesy of the best/worst label ever, All Around The World). I especially love how the backing band in this video pretends to play their instruments, which are obviously not present in the actual song.

As far as I can tell, Britain’s Enter Shikari were the first band to do this style on their 2007 debut album “Take To the Skies.” They seem to be pretty popular– my bros in Fight Fair shared a tour bus with them and said they draw really well, and Wikipedia says they’ve sold over 250,000 records. It makes sense that this style would have its roots across the pond, because dance music in general is much more popular there, and also Europeans are weird and stupid and will pretty much buy anything (the fact that Danny Dyer is a big star in the UK proves this theory).

Eskimo Callboy

While I don’t think Eskimo Callboy are a great band, I do salute them for coming up with a simple yet memorable gimmick: novelty moustaches. More bands should think like this!

Fail Emotions

Fail Emotions amusingly-titled song “Makes Bad” is actually pretty solid trancecore

(more…)

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FROM FIRST TO LAST CALLS IT QUITS.

Thursday, July 29th, 2010

FROM FIRST TO LAST CALLS IT QUITS.


Los Angeles, California band FROM FIRST TO LAST is going on an indefinite hiatus. Formed in 2002, the group has released albums with Epitaph Records and Rise Records. Matt Good has issued the following:

“As of now right now we are basically going on hiatus. Now before everyone starts jumping to conclusions I just want to make sure everyone knows me and the other members of the band are all still very, very close. We have been best friends for years and will continue to be for as long as I can possibly forsee, so I don’t want anyone to think this is a result of animosity between them and I. There is nothing but love between us.

“This is mostly a decisions based off a changing of times and the desire to start pursuing new things in our lives. This band has been the center of our lives for our entire adulthood to date. Four full-length albums and almost 8 years of solid touring later, the urge to see what else we are capable of achieving is almost overwhelming and I feel like there is no better time than now to go ahead and take a leap of faith and see what happens. Just know From First To Last is responsible for everything I have in my life, good and bad, and as far as I’m concerned it will probably continue to exist until I am too old to do it anymore or dead. We love every single person that has ever helped make our dream of being musicians and traveling the world come true. I know without the people who supported us, we would be nothing and I am eternally grateful for everything. Just know we aren’t going to let you guys down and we still plan on making music at some point in the future when it makes sense for all of us. For now just keep a lookout for new projects and future endeavors from all of us. Thanks for an incredible 8 years!”

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