Posts Tagged ‘sing-a-long parts’

ANTHRAX: THE METAL ARMY INTERVIEW

Friday, September 16th, 2011

Metal Army sat down with ANTHRAX bassist Frank Bello on the eve of The Big Four concert at Yankee Stadium. We were at the Hard Rock Cafe at the stadium directly following the ceremony declaring the day of the show ANTHRAX DAY in the Bronx. Frank chatted with us candidly about the honor of being recognized for their legacy, growing up in the Bronx and coming home again, their new album Worship Music and life in general. He was really funny, emotional and humble throughout our time together. What follows is an excerpt of our wide ranging chat.

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MAA: This has to be a tremendous honor for the band. How does it feel?

FB: It’s massive! At heart I am a Bronx guy, always. I still live in New York, obviously. For me, having the Borough President (Ruben Diaz Jr.) here, a really good guy declaring it Anthrax Day, giving us the proclamation, it’s such a big deal for us. It’s amazing, really. I have to go back to my roots: growing up, being a New York guy, growing up in The Bronx, coming to Yankee Stadium all of the time; you always dream of stuff like playing in a band and playing Madison Square Garden. You never really fathom playing Yankee Stadium. When we got the call about playing Yankee Stadium, number one: I was intimidated and number two: I couldn’t believe it! All the the things go through your head like “Is it really gonna happen?” and “Is it gonna rain?” all those things. Even today it is really surreal. I think the only time when I’m going to realize it is happening is that I might take the train down, the Metro North from my house to the show to beat the traffic. And I think when I walk in the door and step on that stage- it will really hit me that when we walk in the door. Like “wow, I’m really going to do this.” Even with the press today, it’s great to talk about it, but when it is really happening, when we step on that stage at Yankee Stadium for the show, it will be overwhelming.

 

MAA: Yankee Stadium concerts are always big events like BILLY JOEL and PINK FLOYD in the old building and PAUL MCCARTENY recently in the new one…

FB: Wow! Think about that! Look at those names alone! And now ANTHRAX will be in that equation. Just being around that, that alone means so much. And understand that it is METALLICA, SLAYER, MEGADETH and ANTHRAX, but we are gonna get put in that crowd with all of them, it is such a beautiful thing. It’s an accomplishment I will never forget.

FB: (raising a glass of beer) Cheers!

MAA: Cheers to you sir!

 

ANTHRAX 2011: Ready to unleash the beast and for the next chapter to begin.

 

MAA: How did the Office of The Bronx Borough President contact you about this initially?

FB: Well, they reached out to us. They found out that three of us are legitimately from The Bronx. I’m glad they took recognition of it. This is a big day for The Bronx. It is about three guys coming home. I’m proud of The Bronx. I feel very lucky to grow up where I did. Charlie and I are from here and Rob came into the band later, he is too. Right form the initial stuff in the band, Charlie auditioned in his room in The Bronx for ANTHRAX. So it’s a big deal to us. I could not be happier or more psyched that this happening in The Bronx.

 

Photo by James Rausse c 2011

Looking at a wall dedicated to band mate Scott Ian, Frank Bello wonders aloud when his wall is going up.

 

MAA: America doesn’t get the metal festivals like Europe and New York only occasionally gets a show of this stature, certainly never for thrash metal. The Big Four is as big a single day event as NYC can have. How important is this for the band and fans of the band to share this together here?

FB: If you think about it this band has been around for thirty years. To have a record coming out before this show, which is shameless promotion, but I have to say that Worship Music, comes out September 13th , the day before. The next day is the concert we are playing Yankee Stadium and it is overwhelming. This entire press junket has been absolutely nuts. We played Jimmy Fallon the other day, tomorrow we are playing one show in Arizona and then the concert here Wednesday. And FYI I am shooting a movie in Brooklyn the day after the concert and I have a 7 AM or 8 AM call time and I don’t know how I’m going to look or feel. This is a crazy time in my life….

(At this point Bronx Borough President Ruben Diaz Jr. came over to say bye to Frank and agreed to have a shot with the band on stage at The Big Four show, right before their set.)

FB: Wow! The Bronx Borough President just came over to say goodbye to me after declaring Anthrax Day. For a guy from The Bronx like me, this is crazy! Did you think that was gonna happen? We’ve been through a lot. We’ve been over all of the details and I think the thing for me and for the fans is to live in the moment. All of this work is leading to something big for us. You’re a music guy and you are from here so you can appreciate this. I just want to live in the moment and appreciate things because before you know it Yankee Stadium will be here and gone. Even for this beer (sips) I am living in the moment. (laughs)

 

Yet another ANTHRAX cover by comic book artist Alex Ross.

 

MAA: Now that it is done and about to be heard by everyone, how do you feel about the album?

FB: It is the culmination of everything we have been through. It might sound like a sob story, but it is not a sob story and to be blunt about it, if people think it is a sob story go fuck yourself! But I’m really proud that we got here. There was a lot of times I never thought we would get here. To have a release date for this record is even bigger than the show. It was eight years of pain and hardship. You wanna talk about punching walls? I had to re-plaster a few in my house and that’s the truth. From all the negative came this great positive. I think we deserve that because we have been through a lot. We wear it on our sleeves because we are from The Bronx and we can’t hide our emotions. I’m glad we don’t. You have obviously done your homework, so thank you. You know this has always been a working band. It hasn’t always touring or making records, but we are always at work in this band. There has been a lot of hardship. And then lawyers get involved. When lawyers get involved with things, they can hold up a lot of stuff in your life. It’s not a parking ticket we got. It was a lot of bullshit, but I’m glad its done and over with now. We couldn’t be tighter as a unit right now. Personally we know there is a plight here. There is something we all have to do. We need to accomplish this. This is all part of what we are trying to do now. People hearing the record, that is great. That is the goal. We are trying to get this music out to the people and couldn’t be happier with it.

 

MAA: I have to say the thing that stands out most to me is Joey Belladonna’s performance. What do you attribute his performance to considering what he had to overcome?

FB: I’m still a big fan of this music. Just because you play in a band, doesn’t mean you aren’t also still a fan of the music. As a fan of this band and this music, for me Joey was like the cherry on top. I know it’s cliche, but we had these great songs that Charlie, Scott and I wrote a while ago. When Joey came in, I couldn’t believe what was coming back to me. My god! I was overwhelmed and I kept saying ‘oh my god, he did it again! He did it again!’ Joey’s gonna have to pay me for this. (laughs)  He’s always been a great singer, but I don’t know what kind of fountain of youth he has, but he is better than ever. Joey has gotten better. He was always great, but as an ANTHRAX fan, he has never sung better. As a band member standing on the side of the stage with him every night, he has never sounded better. As I have said in other interviews, I am the background singer in ANTHRAX. I am jealous of him that I have to warm up for like 45 minutes before the show to get in the higher range and he just runs out there and sings (sings high notes like Joey), and it’s like nothing to him. He sounds amazing and is phenomenal. I say I’m jealous, but I say it in jest. I’m so impressed with the guy to come in with this mountain of songs and made them his own. Let’s face it, he put his stamp on his record. It sounds like ANTHRAX, you heard it so you know. It sounds like the ANTHRAX you know. After thirty years and having this album coming out in 2011 and playing Yankee Stadium, it is pretty good to be in ANTHRAX right now. I’m really psyched right now.

 

Frank Bello switched to Hartke amps after hearing David Ellefson's rig during the first Big Four shows.

 

MAA: This record has more bass breaks than ever a bit of a meaner tone in your sound too. Where did all that come from?

FB: Thank you! To put it in perspective. I had done all my bass for the record. I tired the Hartke stuff out and I loved it. I switched to Hartke I went back in and redid all of my bass tracks. For me to do that amount of work, it had to be right. I take a lot of pride in my bass work. I was the fan who grew up listening to Geddy Lee and Steve Harris and Geezer Butler, studying every note until it was right. I did that until my fucking fingers and mind got it right. Just repetition until it got into my head. So when some 15 year old kid comes up to me and says I grew up on your bass playing, that means everything to me. I want to give something back and pass the torch. Bass saved me. And music saved me in general because I could have ended up like some of my friends in the streets and out on drugs, but instead I was in my room on a Saturday night leaning bass lines. I’m glad I took the route I took. I still want to be challenged. Last night I was up until 2 or 3 in the morning re-learning a rush song. “La Villa Strangiato”. I used to know it verbatim and I forgot a small part of it. I was playing this one part over and over until I got it down. I went to my iPod and I just kept rewinding it. I just wanted to get it right. It’s important to me. I’m not Geddy Lee. He’s one of my favorite bass players. But when I hear that it means a lot to me that you noticed that, so thanks!

 

MAA: The band just announced killer headline tour with TESTAMENT and DEATH ANGEL in support. How did that come about?

FB: Well if you look at it, we are all friends. First and foremost. My friend Johnny Tempesta just joined up with TESTAMENT again for the tour. I talked to Chuck Billy and suggested Johnny to them. And I told Johnny to call them too because I said ‘Johnny, they need you!’. We made it happen so I’m really psyched about that because we went to Lehman High School together and he’s one of my best friends. We also played in HELMET together. It’s going to be a drinking tour (laughs), I’ll tell you that! It’s all about packaging today. There is not a lot of money out there, we know that so we need to create value for the fans. TESTAMENT and DEATH ANGEL are really great bands in their own right. So it’s cool that all the bands are great and we are all friends and can have a good time together. That was our goal: come out with a strong record, a strong tour and kick fucking ass!


 

MAA: I think the only fear of the long-time fans of the band is whether or not we will get to hear the John Bush-era songs live ever again?

FB: First, I wanna hear from the fans. What they want is important to us. We also have new record out and obviously we have to promote this. The songs on this record, I would play them all! It’s that good. I don’t think there is one down song on the record and I would play any of them live. As a fan I would play everything. We have this big catalog and you have to ask the fans. You have to do the standards too, but I wanna pull stuff out of the closet. I have no problem with that. People still ask for “Lone Justice” at my clinics!

MAA: “Lone Justice”!

FB: Yeah! People on our website are really crazy for that one. I have no problem with any of that. We have been really busy with this show and and the album release so we haven’t sat down to talk about it yet. So far we have done “Only” and “What Doesn’t Die” with him. All I can say as one of the guys in the band is that we will find a way to do some of those. But I’m sure we will put a great set list together.

 

MAA: At the end of the day ANTHRAX has had as many highs as lows in thirty years. Can you reflect on this and how the band has survived?

FB: It makes you stronger. The tough times, I could have definitely done without some of that, honestly. Sitting in Yankee Stadium with an album about to come out, it’s a good time. But it makes you stronger because we have no choice. As New Yorkers and guys from The Bronx we know all about that. You can either crawl up in a ball or dust yourself off and get back on that horse. But today is a great day. We have a new record coming out and then a little show at Yankee Stadium. (laughs) I really want to run on the field. I need to find away to do that.

MAA: Just keep Scott away from the batting circle and Monument Park!

FB: Right!

MAA: Thanks for your time Frank!

FB: Thank you and thanks for the knowledge!

 

(Special thanks to Frank Bello, ANTHRAX, James Rausse of The Office of the Bronx Borough President and HERFitz PR)

 

by Keith (Keefy) Chachkes

 

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ALBUM REVIEW: ANTHRAX

Thursday, September 15th, 2011

Worship Music (Megaforce Records)

 

 

Well it is finally here. The album I have been waiting for, seemingly for years. ANTHRAX is my favorite thrash band ever. They may not have the ducketts of some bands or the full respect that they deserve, but for me they always had the most smarts, heart and balls of any band in the thrash metal scene. Since half the the band is from my home town of The Bronx New York, I have always repped them hard and enjoyed most everything they’ve done. That doesn’t mean the road has been easy. They have had a terrible combination of tons of bad luck and hideous deals in their career. Fortunately for them what they put down in musical history cannot be ignored, disrespected or undone. Ever. The band has been riding high leading up to this release. Especially with all the expectations that have come from longtime fans and new potential casual fans (likely from The Big 4 hype) the stakes are incredibly high.

Prepare to bow down and give praise when you hear Worship Music. Photo by Matthew Rodgers.

 

Opening with the pastoral sounds (a recurring theme on the album) that could be church music and a whispered phrase of “worship music”, is kind of the 2011 musical equivalent of SLAYER’s similar move from twenty-five years ago. When that ends all sonic hell breaks loose and I had to crack a relieved smile. “Earth On Hell” is a great first song. Patented Charlie Benante blast-beats/speedy double-kick work and Scott Ian’s killer right hand of death guitar riffs flat out crush you. Those guys are given every album at this point. However, the immediate and lasting treat for fans is the sublime voice of Joey Belladonna. I love Joey, but he was definitely going to be the make it or break it element to be true. Joey absolutely nailed his vocals on this and every track. He sounds ageless and strong, even better than he was back in the day. For all of the conjecture doubting whether or not he could replace John Bush from everyone (including by this reviewer), that idea gets dismissed starting now. The song itself is the perfect opening salvo in their comeback. After the second chorus, a ticking clock (shades of Persistence of Time album) amps up the rabid urgency. The mid-song break down is classic ANTRHAX: terrific beats, thick bass lines from Frankie Bello and a great solo by Rob Caggiano (he also co-produced the album) who continues his run as the most consistent shredder the band has ever had. Also of note, the fine lyrical depth from Scott for the concept. And that is all in just the first song!

The next two songs you might have heard already: the two singles “The Devil You Know” and “Fight Em Til You Can’t”. They are full of the high energy thrash and rock that the band has been doing for years. I could live without the BIGGIE SMALLS lyrical reference in the former tune, but it is understandable considering the bands history with better artists in hip-hop. Joey sounds powerful, his soaring high range carrying the tracks and does some fine harmonizing as well. Great choruses with added tough guy gang vocals are a plus, but Joey is definitely allowed to be the star which is just killer to hear. “I’m Alive” is a stomping rocker in the mold of some of the tracks off of We’ve Come For You All. The intro had a really catchy shuffle riff that is a lot of fun. While this is certainly the most “thrash” sounding album the band has made since the early nineties, they have always had these mid-tempo tracks ready in their bullet belt. I suspect this song could be a third single and be the one to really capture the ears of new fans in a big, big way. Frankie Bello’s great bass lines are really pronounced in the mix and this helps all of the songs. It seems like the band let him off the leash and I’m happy to hear it. After an interlude with some laconic church bells you hear “In the End”. Nicely paced, heavy and epic sounding, this song is another potential breakout track. It has a classic sounding thrash breakdown and has a naturally cool high scream from Belladonna too. The ending of the song has a feel not unlike TESTAMENT and OVERKILL vocally. These are some of the melodic elements at play the band has not had in their arsenal for a long time. “The Giant” is one of the best new songs and in the style of the thrashin’ Thrax classics. It is so heavy and true sounding, this song easily could have been on State of Euphoria! “Judas Priest” has another chugging, power-groove riff and a cool part for Joey to sing over in the pre-chorus and chorus. Caggiano also rips another blistering lead. Benante also continues to beat his own high standards as one of the best metal drummers ever as well. For a change of pace “Crawl” is moody and slow with another huge refrain. “The Constant” is another mid-tempo bruiser of a track. The band flits back and forth between thrash tempos and hypnotic tribal beats more than any album since Sound of White Noise. “Revolution Screams” ends things in old-school fashion with discordant chromatic riffs, a fast headbanging beat and intricate IRON MAIDEN style harmonized melodic parts. The bonus track version of the record has a cover of Thrax favorite REFUSED’s “New Noise”. This album will easily go down as one of the top five or six best efforts in the bands’ storied history.

Anthrax in 2011. Photo by Matthew Rodgers.

 

GRADE: A

by Keith (Keefy) Chachkes

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ALBUM REVIEW: AN EARLY ENDING

Wednesday, September 7th, 2011

Igniter (CI/Decadent Suite Records)

Nobody will ever accuse Harrisburg, Pennsylvania’s AN EARLY ENDING of not understanding irony or taking anything for granted. The metalcore loving five-some was on tour in 2009 when their van was in a head on collision that was nearly fatal to the entire band and their crew. Joke all you want, but there is a certain fragility to life on the road and people who play music for a living often never think of the worst case scenario until they are faced with life or death choices. In the meantime the band dusted themselves off and hit the comeback trail. In the tradition of comeback stories they have put out their next full length, Igniter, certainly shaped by their experiences.

After the dramatic opening of the album intro the band slams into the title track with abandon. Playing a mix of metalcore and active rock, the band is quite tuneful and melodic. When they kick their more metal style of riffs, front man Alex Runk shifts from his high singing voice to quite a good hardcore guttural vocal style. He has a deep, bassy growl that gives the band most of its toughness. The song is what you would expect with catchy choruses and a breakdown. Second track “I Won’t Illuminate This” has some interesting elements added to the bands core style including some studio effects and programming tricks. Runk again is the focal point. The are some cool colors added by guitarist Greg Hildebrand that add to the quality of the song. The breakdown shifts back and forth between heavy and melodic. Drummer Logan Summey is solid and lays down a strong foundation for the band. “Dead Eyes” is the albums most brutal track with cool metallic riffage. The big sweeping chorus comes in and lifts the track up a notch with some great double tracked lead vocals. Conversely “Only Way” is the albums most catchy, yet least metal song. It is closer to pop punk than anything with an edge. Next cut “Breath” is much stronger and has a lot of cross over elements. The band is not short on talent, but this is where the album seemed a bit repetitive to me. “Powerless Monster” is the third best song on the album with an excellent main riff, another huge sing-a-long refrain and some more fine guitar antics. “Home (The End)” is the albums closer and has some interesting elements going on with piano and some weird effects. Despite being fairly middle of the road musically, there are some fine songs on here and good performances overall. A solid return for AEE who will likely go on to make some major inroads with the cool kids set due to their ability to write great melodies.

GRADE: B-

By Keith (Keefy) Chachkes

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